Local to Global
Details
MaterialGallery
23:19 min video, digital screen, pa system, carpet, chairsCarlos/Ishikawa
Description
Human-crafted. AI-refined.

The artwork features a minimalist, geometric composition with a predominance of green hues. The central element is a large screen displaying a portrait, while the surrounding space is filled with rows of chairs arranged in a symmetrical pattern. The overall aesthetic suggests a formal setting, perhaps a conference room or a lecture hall. The artist employs a clean, modernist approach, emphasizing the interplay of shapes, colors, and technology to create a distinct visual experience. The intention behind this piece may be to explore the intersection of art, technology, and the dynamics of public spaces. ...

Similar Artworks
Natural Language (Civilisation)
Georgie Nettell
Natural Language (Civilisation), 2018
118 x 60 x 45.5cm
Double Mask II (Film Portrait Collage)
John Stezaker
Double Mask II (Film Portrait Collage), 2017
25.8 x 20.3cm
Monopole d’État
Sung Tieu
Monopole d’État, 2025
46.8 x 207 x 64cm
Pigs in convo
Flo Brooks
Pigs in convo, 2017
80 x 56 x 2cm
Opportunity 3
Georgie Nettell
Opportunity 3, 2015
30 x 42cm
Untitled (Film Still Collage) XVII
John Stezaker
Untitled (Film Still Collage) XVII, 2006
20.3 x 25.7cm
speculative fiction 2 (blue)
Georgie Nettell
speculative fiction 2 (blue), 2018
8.5 x 10 x 3cm
Butts Only (That's the sound that lonely makes)
Flo Brooks
Butts Only (That's the sound that lonely makes), 2018
109 x 136 x 4.5cm
Police Book Exchange (Goldsmiths CCA)
Abbas Zahedi
Police Book Exchange (Goldsmiths CCA), 2022
Double Shadow
John Stezaker
Double Shadow, 2021
20 x 21cm
INVISIBLE WORLD
Cereal Killer Cafe, 139 Brick Lane, E1 6SB
Georgie Nettell
Cereal Killer Cafe, 139 Brick Lane, E1 6SB, 2016
42 x 75cm
U Turn
Flo Brooks
U Turn, 2018
110 x 110 x 3cm
Still Life (Trojan Sounds)
Corey Hayman
Still Life (Trojan Sounds), 2019
Testaments
Earwitness Inventory
Spell
John Stezaker
Spell, 2022
22.1 x 17.2cm
Views From A Sedan Chair, (Midway)
Sung Tieu
Views From A Sedan Chair, (Midway), 2025
200 x 100 x 0.5cm
Life support part 2: Whisperphone
Abbas Zahedi
Life support part 2: Whisperphone, 2025
220 x 250 x 150cm
A Search for Lost Causes and Impractical Aims (Ask Sunny)
Artist
Lloyd Corporation
B.1986, British/Norwegian

Lloyd Corporation is a collaborative project between Ali Eisa and Sebastian Lloyd Rees who have worked together since 2010. Their versaille practice includes sculpture, installation, print, video, social and public art, text and publications. Lloyd Corporation’s projects take abstract, complex socio-economic themes, such as capitalism, globalisation, or urban development, and render them visible and 'real' in the context of individual life. The artists’ process involves comprehensive sight-specific research, collection of materials overtime, and extensive dialogue. The artists implement found materials, such as adverts, corner shop facades, warehouse shelves, protest placards, and re-appropriate them, thereby uncovering institutional and infrastructural gaps and pitfalls. Lloyd Corporation’s continuous interchange between micro and macro perspectives reveal that the systems – of order, economy, politics, governance – are more obscure than we realise. ...

Lloyd Corporation: Artworks
Identical Strangers (1-10)
Lloyd Corporation
Identical Strangers (1-10), 2013
Surface Incidents I
Lloyd Corporation
Surface Incidents I, 2011
177 x 104 x 104cm
Janus (Power Form/Living Form)
Lloyd Corporation
Janus (Power Form/Living Form), 2011
115 x 81cm
Strata of Accumulation
Lloyd Corporation
Strata of Accumulation, 2011
350 x 115 x 80cm
Surface Incidents II
Lloyd Corporation
Surface Incidents II, 2011
197 x 180 x 160cm
Untitled
Upcycle (Relief I)
Lloyd Corporation
Upcycle (Relief I), 2013
61 x 106 x 21cm
Upcycle (Relief II)
Lloyd Corporation
Upcycle (Relief II), 2013
51 x 34 x 18cm
The lights are going out in the west
Lloyd Corporation
The lights are going out in the west, 2022
Today’s gift is tomorrow’s commodity. Yesterday’s commodity is tomorrow’s found art object. Today’s art object is tomorrow’s junk. And yesterday’s junk is tomorrow’s heirloom
Lloyd Corporation
Today’s gift is tomorrow’s commodity. Yesterday’s commodity is tomorrow’s found art object. Today’s art object is tomorrow’s junk. And yesterday’s junk is tomorrow’s heirloom, 2022
A Search for Lost Causes and Impractical Aims (Ask Sunny)
Lloyd Corporation
A Search for Lost Causes and Impractical Aims (Ask Sunny), 2016
240 x 283 x 7.7cm
A Search for Lost Causes and Impractical Aims (Leaks)
Lloyd Corporation
A Search for Lost Causes and Impractical Aims (Leaks), 2016
115 x 202 x 101cm
Bankrupt. Bulk Buy. Liquidation. Repossession (Classified / Cyan)
Lloyd Corporation
Bankrupt. Bulk Buy. Liquidation. Repossession (Classified / Cyan), 2017
100 x 50cm
Bankrupt. Bulk Buy. Liquidation. Repossession (Free to Learn)
Lloyd Corporation
Bankrupt. Bulk Buy. Liquidation. Repossession (Free to Learn), 2017
240 x 368 x 80cm
I used to work for DHL back in the 90's...
Lloyd Corporation
I used to work for DHL back in the 90's..., 2016
156 x 209cm
Local to Global
Person to Person
Teenage dream, 1974
Lloyd Corporation
Teenage dream, 1974, 2019
151.5 x 71.5cm
Value at Risk
Lloyd Corporation
Value at Risk, 2013
84.5 x 152cm
Your Best Bet
Lloyd Corporation
Your Best Bet, 2013
82 x 103cm
Carlos/Ishikawa
Gallery
Carlos/Ishikawa
London

Founded in 2011, Carlos/Ishikawa’s program is dedicated to considered and ambitious exhibitions that offer diverse artists’ perspectives on structural, socio-cultural, and political questions. The program focuses on international artists with often wide-ranging, multi-disciplinary and experimental practices. There is an interest within the program of challenging the aesthetic conventions of conceptual art, and a focus on art that is able to operate on an affective, emotional level as well as a rigorous intellectual one. The gallery has offered many artists their first solo show, many of whom have gone on to receive recognition internationally. ...

Unlock Price & Inquiry Access