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The artwork features a close-up of two Sprite cans against a dark background. The composition emphasizes the reflective, metallic surfaces of the cans, which create a sense of depth and distortion. The prominent Sprite logo and condensation on the cans draw attention to the commercial nature of the product. The artist's use of dramatic lighting and shadows, as well as the abstract, almost surreal quality of the image, suggest an exploration of the visual aesthetics of everyday consumer items. The piece likely comments on the pervasiveness of corporate branding and the interplay between art and commerce in contemporary culture. ...
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Lucie Stahl
B.1977, GermanLucie Stahl works across various mediums, including sculpture, installation, and digital media. Her art explores the concept of liquidity in various forms, such as financial liquidity and the fluidity of gender, identity, and images. Through the use of found objects and imagery, Stahl delves into the excesses and pitfalls of modern consumer culture, examining themes like branding, consumption, addiction, and dependency. Stahl is renowned for her poster-like works made using contemporary photographic techniques. She arranges everyday objects such as spices, ties, magazines, and wheels on a scanner and encases the resulting prints in polyurethane to make them appear like distant objects. Adding short text fragments to these works, Stahl humorously expresses her perspective on social and political events and the competitive nature of the art world. Using language similar to American stand-up comedy, Stahl peppers these prints with witty anecdotes and observations recounted in a soliloquy style. The combination of text and reproduced objects creates a discursive tension, producing an analytical and distancing effect. ...