Un peu comme un miroir

Marie Voignier

Un peu comme un miroir, 2012Price on Request
Details
MaterialGallery
vidéo hdMarcelle Alix
Description
Human-crafted. AI-refined.

The artwork showcases a close-up view of a hand holding a strip of film. The predominant colors are shades of black, gray, and blue, creating an ominous and mysterious atmosphere. The fragmented frames and the tactile nature of the film reel highlight the physicality and materiality of the medium. The subject matter suggests a commentary on the cinematic process, the preservation of visual memories, and the ephemeral nature of analog technology in a digital age. The artist's intention may be to explore the relationship between the tangible and the intangible aspects of the filmmaking experience. ...

Similar Artworks
A fine rain is falling, the skin has goosebumps. Rub the arms to warm them up and then start running...
Latifa EchakhchA fine rain is falling, the skin has goosebumps. Rub the arms to warm them up and then start running again, 2019Price on Request
Les Sablettes
Olivier MillagouLes Sablettes, 20173500 EUR
Royal Albert Hall
Julien AudebertRoyal Albert Hall, 200511000 EUR
Eco Plush 3
Olivier MillagouEco Plush 3, 20193500 EUR
The All
Latifa EchakhchThe All, 2023Price on Request
This Print Has Traveled Far To Touch You
Laure ProuvostThis Print Has Traveled Far To Touch You, 2016Price on Request
Willkür, Wiener Neueste
Benoit MaireWillkür, Wiener Neueste, 2017Price on Request
Sans titre
Jean-Luc BlancSans titre, 19973500 EUR
Maisons françaises, une collection #556-557
Laëtitia Badaut HaussmannMaisons françaises, une collection #556-557, 2013Price on Request
Séquence III #1
Isabelle CornaroSéquence III #1, 2021Price on Request
Business
Alexandre SinghBusiness, 20135500 EUR
Foreign Office
Bouchra KhaliliForeign Office, 2015Price on Request
Marie Voignier
Artist
Marie Voignier
B.1974, French

“There is always a monster hidden in the films of Marie Voignier, a material or theoretical entity that cannot be depicted, an adversary of reason whose deafening rumble affects real situations. This overwhelming subject is systematically off-stage, protagonists. Whether this monster is a "real" fabulous animal hunted in the jungle, colonisation or the totalitarian system, it is only ever evoked remotely and fleetingly. A central but elusive stage phantom. In a sort of devious entomology, Marie Voignier's cinema finally takes a look at looking itself as if the microscope were to turn back and explore the eye that observes through it. Showing that there is no neutrality of observation, her films represent so many critical, sharp but nondirective visions of a state of the world, which remain open to interpretation, relying on a ballistic precision and a poetic imagery.” Guillaume Désanges, "Marie Voignier," in Les cahiers du 19 (L'effet de réel, Fabienne Bal/andras, Marie Voignier), Le 19, CRAC, Montbéliard, September 2016 a utopia that the spectator experiences by proxy and snippets, via the narrative of the (2022) both related to her researches and interviews conducted prior to the making . ...

Marie Voignier: Artworks
Des trous pour les yeux / Holes for your Eyes
Marie VoignierDes trous pour les yeux / Holes for your Eyes, 20098000 EUR
Going for a Walk
Marie VoignierGoing for a Walk, 2007Price on Request
Hearing the shape of a drum
Marie VoignierHearing the shape of a drum, 2010Price on Request
Hinterland
Marie VoignierHinterland, 2009Price on Request
Le bruit du canon
Marie VoignierLe bruit du canon, 2006Price on Request
Les Affections (L'Histoire)
Marie VoignierLes Affections (L'Histoire), 20142000 EUR
Les Affections (Le Pays)
Marie VoignierLes Affections (Le Pays), 20142000 EUR
Les Immobiles
Marie VoignierLes Immobiles, 2013Price on Request
Moi aussi j'aime la politique
Marie VoignierMoi aussi j'aime la politique, 2022Price on Request
Na China
Marie VoignierNa China, 2019Price on Request
Pause
Marie VoignierPause, 2019320 EUR
The President was passionate about Hollywood cinema
Marie VoignierThe President was passionate about Hollywood cinema, 2014Price on Request
Tinselwood
Marie VoignierTinselwood, 2017Price on Request
Tourisme international
Marie VoignierTourisme international, 2014Price on Request
Un peu comme un miroir
Marie VoignierUn peu comme un miroir, 2012Price on Request
Marcelle Alix
Gallery
Marcelle Alix
Paris

We founded Marcelle Alix in 2009 in Paris and settled in a characteristic, early 20th-century boutique in Belleville. The gallery is for us a creative space, where the dialog with artists is not only meant to selling artworks, but is also based on an equal relationship to creativity. We now represents thirteen artists and two duos. Our identity has been built with the support of the artists who opened our programme (Aurélien Froment, Louise Hervé & Clovis Maillet, Charlotte Moth, Ernesto Sartori, Marie Voignier) and those we introduced to the French art scene (Pauline Boudry/Renate Lorenz, Ian Kiaer, Donna Gottschalk). During these years, we have supported broad artistic careers (Laura Lamiel, Liz Magor and Mira Schor whose work we represent exclusively in Europe) and accompanied the development of new perspectives in sculpture (Gyan Panchal, Jean-Charles de Quillacq) in video (Lola Gonzàlez), and in drawing (Armineh Negahdari). Our gallery has been a pioneer in defining a space for queer art in France : in addition to showing her work within the artist duo Boudry/Lorenz since 2011, we have directed the translation into French of Renate Lorenz's 2012 seminal book, « Queer Art » in 2018. Since 2019, we have exhibited photographs by Donna Gottschalk documenting the lives of women living with women who were involved in the lesbian movement in the United States in the 1970s. In 2023 we organised an exhibition for the Utopi.e award—first award in France for Lgbtqi+ art—for which we have invited Paris galleries Air de Paris and Sultana as fellow participants. We insist on the central role of a gallery in the ecosystem of art as a place to make idiosyncratic positions visible and weave a critical narrative around the most contemporary visual forms. ...