A fine rain is falling, the skin has goosebumps. Rub the arms to warm them up and then start running...
A fine rain is falling, the skin has goosebumps. Rub the arms to warm them up and then start running...
A fine rain is falling, the skin has goosebumps. Rub the arms to warm them up and then start running...
A fine rain is falling, the skin has goosebumps. Rub the arms to warm them up and then start running...
A fine rain is falling, the skin has goosebumps. Rub the arms to warm them up and then start running...
A fine rain is falling, the skin has goosebumps. Rub the arms to warm them up and then start running...

Latifa Echakhch

A fine rain is falling, the skin has goosebumps. Rub the arms to warm them up and then start running again, 2019200 x 150 x 2.5cmSign in to view price
Details
MaterialGallery
black india ink and sepia ink on canvasKaufmann Repetto
Description
Human-crafted. AI-refined.

The artwork features a dramatic contrast of colors and textures, with bold, sweeping brushstrokes in shades of black, white, and a touch of gold. The composition is abstract, with organic, amorphous shapes and jagged edges that create a sense of movement and energy. The artist has employed a technique that appears to be either ink or watercolor, resulting in a fluid, atmospheric quality to the piece. This abstract work likely reflects the artist's exploration of the natural world and the interplay of light and shadow, inviting the viewer to contemplate the powerful yet delicate nature of the natural landscape. ...

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Latifa Echakhch
Artist
Latifa Echakhch
B.1974, French/Moroccan

Born in 1974 in El Khnansa, Morocco. Lives and works in Switzerland. Latifa Echakhch often introduces associations with ‘cultural mementos’ that reveal a complicated relationships, where symbolic valency is subtracted, its absence suggesting an entirely new meaning and presence. Echakhch re-imagines and re-evaluates found objects and defamiliarizes the vernacular, questioning the meaning embedded in these and, in general, our own relationship and preconceptions towards such objects. Only when supposedly known objects have been emptied of their original meaning can they be read in many ways. Referencing and appropriating the archetypes, ideologies of modernism and beyond, she reflects on the often-prejudiced perception of national and religious identities in works that are both poetic and conceptual, and questions the semantics of cultural paradigms, providing instead what the artist calls “poetic transfiguration”. ...

Latifa Echakhch: Artworks
Derives 18
Latifa Echakhch
Derives 18, 2011
200 x 150cm
Entre la nuit et l’aurore (Between night and dawn)
Latifa Echakhch
Entre la nuit et l’aurore (Between night and dawn), 2025
120 x 155 x 95cm
A chaque stencil une revolution, une apres l'autre
Latifa Echakhch
A chaque stencil une revolution, une apres l'autre, 2009
86 x 21 x 29cm
Untitled (black clouds)
Latifa Echakhch
Untitled (black clouds), 2015
101 x 268 x 14cm
A fine rain is falling, the skin has goosebumps. Rub the arms to warm them up and then start running again
Latifa Echakhch
A fine rain is falling, the skin has goosebumps. Rub the arms to warm them up and then start running again, 2019
200 x 150 x 2.5cm
Night Time (As Seen by Sim Ouch)
Latifa Echakhch
Night Time (As Seen by Sim Ouch), 2022
200 x 150 x 2.6cm
Screen Shot R.M
Latifa Echakhch
Screen Shot R.M, 2015
173 x 300 x 2cm
Night Time (As Seen by Sim Ouch)
Latifa Echakhch
Night Time (As Seen by Sim Ouch), 2023
200 x 300 x 3cm
The All
Latifa Echakhch
The All, 2023
200 x 150 x 3cm
Tambour '57
Latifa Echakhch
Tambour '57, 2012
173 x 173 x 5cm
Dérives
Latifa Echakhch
Dérives, 2015
200 x 150cm
Sans titre (jardin exotique)
Latifa Echakhch
Sans titre (jardin exotique), 2018
200 x 150cm
Stand up straight and high, close the eyes and everything started to spin around. The wind is blowing again
Latifa Echakhch
Stand up straight and high, close the eyes and everything started to spin around. The wind is blowing again, 2019
200 x 150cm
Sun Set Down
Latifa Echakhch
Sun Set Down, 2022
200 x 150 x 5cm
The Dark Days
Latifa Echakhch
The Dark Days, 2024
206 x 156 x 3.5cm
The Dark Days
Latifa Echakhch
The Dark Days, 2024
206 x 156 x 3.5cm
Kaufmann Repetto
Gallery
Kaufmann Repetto
Milan, New York City

francesca kaufmann gallery opened in January 2000. Since then, the gallery has aimed to explore a diverse range of media, with a focus on video, site specific installation, and a special attention towards the works of female artists. After ten years in its historical location, the gallery opened in a new space in October 2010, under the name kaufmann repetto, to mark the partnership between Francesca Kaufmann and Chiara Repetto. In its new location, the gallery has been able to further develop its exhibition programming through a project space dedicated predominantly to younger artists, as well as a courtyard for large scale outdoor installations, which run parallel to the gallery’s main exhibition schedule. In 2013, the gallery inaugurated a new location in Chelsea, New York, with a parallel program to the gallery’s main space in Milan. In 2019 the New York location moved to Tribeca, expanding to a 3,000 sq ft exhibition space. The inaugural exhibition at the gallery’s new space in Tribeca was a solo show by Lily van der Stokker. ...

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