“A toucan. Maybe a wizard?”
“A toucan. Maybe a wizard?”
“A toucan. Maybe a wizard?”

Mary Ramsden

“A toucan. Maybe a wizard?”, 202133 x 25cmPrice on Request
Details
MaterialGalleryLocation
oil on panelPilar CorriasLondon
Description
Human-crafted. AI-refined.

This abstract artwork features a vibrant, eclectic arrangement of bold colors and expressive brushstrokes. The canvas is dominated by various shades of pink, green, and blue, layered and intertwined to create a sense of depth and dynamism. The composition is characterized by a mix of geometric shapes and organic, gestural marks, lending a lively, improvisational quality to the piece. The overall style and technique suggest a contemporary, abstract expressionist approach, emphasizing the artists' emotive and intuitive engagement with the medium. This work likely reflects the artist's exploration of the interplay between color, form, and personal expression within the realm of abstract painting. ...

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Mary Ramsden
Artist
Mary Ramsden
1984

Mary Ramsden’s paintings track a ceaseless, ever-supple reckoning with her medium: its materiality and histories, its complex deals with figuration and abstraction, the points where it yields, the points where it resists. Drawing on ways of seeing that are both long-established and acutely contemporary (not least those inaugurated by new technology), there is an archaeological quality to the way she lays down, and excavates, strata of marks and pigments, buried deposits of time and space. With their audacious play of textures, surface and scale, these are paintings that insist on their own physicality, the impossibility of their reduction to mere image. Rather, like us, they belong to the world of objects, a realm of densities and depths. Ramsden has spoken of painting as ‘thinking with the hand’, and her works bear the traces of a restless, embodied cognition. Uncertainty abides, along with persistent reaching for (hard-won) self-actualisation. The intellectual and the sensory are not so much translated as transfused into form and colour. A work’s limit conditions are defined, then tested, and sometimes extravagantly breached. Where depiction is in evidence in these paintings, it has a fugitive quality, as if Ramsden’s marks were not quite willing to be wholly subsumed into the pictorial, preferring to retain a measure of autonomy as an arrangement of pigment on a support. This is a glitch that is also a feature: a way of capturing and sequencing those concrete abstractions, time and space. ...

Mary Ramsden: Artworks
Through to the blue
Mary RamsdenThrough to the blue, 2021Price on Request
“safe, safe, safe”
Mary Ramsden“safe, safe, safe”, 2021Price on Request
“Then fit our vision to the dark - ”
Mary Ramsden“Then fit our vision to the dark - ”, 2022Price on Request
"Here we left it"
Mary Ramsden"Here we left it", 2021Price on Request
Cartomancy
Mary RamsdenCartomancy, 2021Price on Request
“A toucan. Maybe a wizard?”
Mary Ramsden“A toucan. Maybe a wizard?”, 2021Price on Request
Supercell
Mary RamsdenSupercell, 2021Price on Request
“Tall walk”
Mary Ramsden“Tall walk”, 2021Price on Request
well up
Mary Ramsdenwell up, 2019Price on Request
devil's kettle
Mary Ramsdendevil's kettle, 2019Price on Request
felt
Mary Ramsdenfelt, 2019Price on Request
soundproofed as a dream
Mary Ramsdensoundproofed as a dream, 2022Price on Request
The warmth of stones
Mary RamsdenThe warmth of stones, 2022Price on Request
Small Feelings
Mary RamsdenSmall Feelings, 202330000 GBP
come apart in my mouth
Mary Ramsdencome apart in my mouth, 202324000 GBP
Pilar Corrias
Gallery
Pilar Corrias
London, London

Pilar Corrias Gallery is a contemporary art gallery owned by Pilar Corrias. The 3,800 square foot gallery in London's Fitzrovia, designed by Rem Koolhaas, is made up of two exhibition spaces, located in the heart of London's West End. Pilar Corrias opened a second London gallery space at 2 Savile Row in July 2021, designed by London and Oslo-based architect firm Hesselbrand. Since its inception, the gallery has worked with emerging and established artists with the central aim of allowing their work to grow both in terms of production of new projects and the making of new exhibitions. Pilar Corrias now represents a total of thirty-two international artists, two-thirds of whom are female. ...