Relative mean absolute difference

Natacha Donzé

Relative mean absolute difference, 2024150 x 240cmSign in to view price
Details
MaterialGallery
acrylic on canvasParliament
Description
Human-crafted. AI-refined.

This captivating contemporary artwork features a harmonious blend of vibrant colors and intricate patterns. The composition consists of six rectangular panels arranged in a symmetrical grid, each showcasing a unique pattern of warm, earthy tones. The dominant colors are rich shades of orange and brown, punctuated by delicate floral motifs that dance across the surface. The overall effect is one of mesmerizing depth and luminosity, achieved through the artist's masterful use of layering and blending techniques. The piece invites the viewer to contemplative exploration, hinting at themes of nature, balance, and the cyclical nature of life. ...

Similar Artworks
Etna, the Enlightened Granddaughter (light blue yellow)
Pipilotti Rist
Etna, the Enlightened Granddaughter (light blue yellow), 2022
83 x 42.5 x 34cm
The Roberta
Gina Fischli
The Roberta, 2019
341 x 478 x 70cm
Small Feelings
Mary Ramsden
Small Feelings, 2023
200 x 140cm
Untitled
Joanna Woś
Untitled, 2022
22 x 18cm
Iris, the Enlightened Granddaughter (light blue yellow)
Pipilotti Rist
Iris, the Enlightened Granddaughter (light blue yellow), 2022
72 x 42 x 30cm
Can
Container
Untitled
Joanna Woś
Untitled, 2023
170 x 120cm
Ares
Vojtěch Kovařík
Ares, 2023
230 x 260 x 290cm
Red Chair
Gina Fischli
Red Chair, 2020
120 x 100cm
All packed all wrapped
Paula Henrike Herrmann
All packed all wrapped, 2023
143 x 120cm
“Tall walk”
Mary Ramsden
“Tall walk”, 2021
23 x 30cm
waiting in the park
Yu Nishimura
waiting in the park, 2024
45.5 x 38cm
youth
Yu Nishimura
youth, 2024
80.3 x 65.2cm
Untitled
Joanna Woś
Untitled, 2022
170 x 110cm
zweiterjulizweitausendundvierundzwanzig
Ugo Rondinone
zweiterjulizweitausendundvierundzwanzig, 2024
33 x 48.3cm
Lady Ghislaine II
Sofia Mitsola
Lady Ghislaine II, 2022
230 x 240cm
Brompton
Gina Fischli
Brompton, 2018
59 x 57cm
Champagne et Limousines
Sylvie Fleury
Champagne et Limousines, 2010
24 x 300cm
The Present and the Past
Vojtěch Kovařík
The Present and the Past, 2022
200 x 200cm
this glass house
Lewis Hammond
this glass house, 2024
100 x 140 x 3.5cm
The smaller splash
Tina Braegger
The smaller splash, 2024
98 x 148 x 5cm
Odalisques Célestes
Sofia Mitsola
Odalisques Célestes, 2025
190 x 220cm
“safe, safe, safe”
Mary Ramsden
“safe, safe, safe”, 2021
128 x 70cm
When I met my first spiral
Ariana Papademetropoulos
When I met my first spiral, 2019
250 x 200cm
Untitled
Joanna Woś
Untitled, 2024
170 x 80 x 3cm
Moment
Yu Nishimura
Moment, 2025
15.8 x 22.7cm
Natacha Donzé
Artist
Natacha Donzé
B.1991, Swiss

Natacha Donzé’s creates mystifying paintings. By combining abstraction and figuration she relocates recognisable forms to extraordinary contexts. Ancient reliefs surface in galaxies, with unsettling constellations of corporate paraphernalia lighting up these compositions. Cartoon stars used for rating restaurants or experiences sit next to painterly ‘real’ stars, fragments of coke cans are bathed in cosmic light, whilst ruins of altars are suspended in space. By intertwining these spiritual, technological, and capitalist signifiers, Donzé’s canvases lead the viewer to question societal priorities within neo-liberalism, and to perhaps wrestle with the imbalances within their own lives. Donzé’s titles further this societal analysis, merging militant language with prosaic and religious phrases (Secular Liquid, The Stoop 2020, Commodity Zero 2020, Emissions of Decline, 2020). What runs as a constant throughout these acrylic works, is an insatiable sense of curiosity to unpick what it is that governs contemporary society, with each painting offering another cryptic clue to the puzzle. ...

Natacha Donzé: Artworks
GATHERING INTO ORDER I
Natacha Donzé
GATHERING INTO ORDER I, 2020
220 x 260cm
TEARS DRY FASTER UNDER THE SUN
Natacha Donzé
TEARS DRY FASTER UNDER THE SUN, 2019
110 x 130cm
SECULAR LIQUID, THE STOUP
Natacha Donzé
SECULAR LIQUID, THE STOUP, 2020
190 x 80cm
GENERAL ARMOR FACILITY
Natacha Donzé
GENERAL ARMOR FACILITY, 2020
150 x 40cm
SMUDGING THE MOLEHILLS
Natacha Donzé
SMUDGING THE MOLEHILLS, 2020
70 x 250cm
Repository, adaptation
Natacha Donzé
Repository, adaptation, 2024
80 x 80cm
Natacha Donzé, Repository, cycles
Natacha Donzé
Natacha Donzé, Repository, cycles, 2024
80 x 80cm
Relative mean absolute difference
Natacha Donzé
Relative mean absolute difference, 2024
150 x 240cm
Parliament
Gallery
Parliament
Paris

Parliament Gallery, founded in 2020, resembles a desire to rethink the function of the art gallery by formulating new proposals of audience interaction with the artwork and visibility to a new generation of french and international artists. Parliament wishes to build through a program that is dedicated to the circulation of ideas and collective reflection. The exhibition program will be interspersed with punctual “Interludes”, archive exhibitions and retrospectives, aiming to put into perspective the transdisciplinary character of creation. ...

Unlock Price & Inquiry Access