SMUDGING THE MOLEHILLS

Natacha Donzé

SMUDGING THE MOLEHILLS, 202070 x 250cmSign in to view price
Details
MaterialGallery
acrylic on canvasParliament
Description
Human-crafted. AI-refined.

The artwork features a serene winter landscape enveloped in a mesmerizing red glow. The composition is dominated by a dark, expansive sky that contrasts with the snow-covered ground, creating a sense of balance and depth. The use of vibrant red dots scattered throughout the scene, resembling falling leaves or snow, adds a captivating and ethereal quality to the work. The overall style and technique suggest a dreamlike, almost surreal interpretation of a winter scene, inviting the viewer to ponder the artist's intention of evoking a sense of wonder and mystery in the natural world. ...

Similar Artworks
devil's kettle
The Roberta
Gina FischliThe Roberta, 2019
345 x 470 x 120cm
All packed all wrapped
Paula Henrike HerrmannAll packed all wrapped, 2023
143 x 120cm
Untitled
Joanna WośUntitled, 2024
12.5 x 16 x 2cm
Powers of Horror
Supercell
Can
Gina FischliCan, 2018
12 x 7cm
Container
Paula Henrike HerrmannContainer, 2023
140 x 110cm
Ruby Tuesday
Tina BraeggerRuby Tuesday, 2022
195 x 295 x 4.5cm
Only one of us is real
Untitled
Ares
Vojtěch KovaříkAres, 2023
230 x 260 x 290cm
Nomen
Tina BraeggerNomen, 2023
32 x 26 x 4cm
felt
Mary Ramsdenfelt, 2019
200 x 290cm
Gold Bear
Tina BraeggerGold Bear, 2023
155.5 x 205.5 x 3cm
Untitled
Portrait of Zephyrus
Untitled
Verb
Tina BraeggerVerb, 2023
32 x 26 x 4cm
Lady Ghislaine II
youth
Yu Nishimurayouth, 2024
80.3 x 65.2cm
Moment
Yu NishimuraMoment, 2025
15.8 x 22.7cm
Untitled (flooding interior)
The Present and the Past
Untitled
Joanna WośUntitled, 2024
110 x 170 x 3cm
Planetary Lovers
April
Tina BraeggerApril, 2023
32 x 26 x 4cm
When I met my first spiral
In Slight Shift
Litany
Lewis HammondLitany, 2025
50 x 40 x 1.5cm
Rooks on the seventh
Tina BraeggerRooks on the seventh, 2024
38.5 x 30.5 x 3.5cm
Untitled
Natacha Donzé
Artist
Natacha Donzé
B.1991, Swiss

Natacha Donzé’s creates mystifying paintings. By combining abstraction and figuration she relocates recognisable forms to extraordinary contexts. Ancient reliefs surface in galaxies, with unsettling constellations of corporate paraphernalia lighting up these compositions. Cartoon stars used for rating restaurants or experiences sit next to painterly ‘real’ stars, fragments of coke cans are bathed in cosmic light, whilst ruins of altars are suspended in space. By intertwining these spiritual, technological, and capitalist signifiers, Donzé’s canvases lead the viewer to question societal priorities within neo-liberalism, and to perhaps wrestle with the imbalances within their own lives. Donzé’s titles further this societal analysis, merging militant language with prosaic and religious phrases (Secular Liquid, The Stoop 2020, Commodity Zero 2020, Emissions of Decline, 2020). What runs as a constant throughout these acrylic works, is an insatiable sense of curiosity to unpick what it is that governs contemporary society, with each painting offering another cryptic clue to the puzzle. ...

Parliament
Gallery
Parliament
Paris

Parliament Gallery, founded in 2020, resembles a desire to rethink the function of the art gallery by formulating new proposals of audience interaction with the artwork and visibility to a new generation of french and international artists. Parliament wishes to build through a program that is dedicated to the circulation of ideas and collective reflection. The exhibition program will be interspersed with punctual “Interludes”, archive exhibitions and retrospectives, aiming to put into perspective the transdisciplinary character of creation. ...

Unlock Price & Inquiry Access