GENERAL ARMOR FACILITY

Natacha Donzé

GENERAL ARMOR FACILITY, 2020150 x 40cmSign in to view price
Details
MaterialGallery
acrylic on canvasParliament
Description
Human-crafted. AI-refined.

The artwork features a towering rectangular structure with a monochromatic, dark blue-violet color scheme. The overall composition is minimal and stark, creating a sense of depth and mystery through the gradual fade and blending of the hues. The surface texture appears smooth and uniform, suggesting a polished or lacquered finish. The dominant vertical orientation and the subtle variations in shading evoke a contemplative, introspective mood. This minimalist sculpture likely aims to explore the interplay of light, color, and form, inviting the viewer to meditate on the essence of the visual experience. ...

Similar Artworks
Untitled
Joanna Woś
Untitled, 2022
170 x 110cm
Portrait of Zephyrus
Vojtěch Kovařík
Portrait of Zephyrus, 2023
78 x 80cm
Iris, the Enlightened Granddaughter (light blue yellow)
Pipilotti Rist
Iris, the Enlightened Granddaughter (light blue yellow), 2022
72 x 42 x 30cm
Container
Etna, the Enlightened Granddaughter (light blue yellow)
Pipilotti Rist
Etna, the Enlightened Granddaughter (light blue yellow), 2022
83 x 42.5 x 34cm
Untitled
Joanna Woś
Untitled, 2023
170 x 120cm
All packed all wrapped
Paula Henrike Herrmann
All packed all wrapped, 2023
143 x 120cm
Lady Ghislaine II
Sofia Mitsola
Lady Ghislaine II, 2022
230 x 240cm
youth
Yu Nishimura
youth, 2024
80.3 x 65.2cm
Albers (Summer)
Gina Fischli
Albers (Summer), 2021
21 x 21cm
Champagne et Limousines
Sylvie Fleury
Champagne et Limousines, 2010
24 x 300cm
Alexander The Great and His Horse Bucephalus
Vojtěch Kovařík
Alexander The Great and His Horse Bucephalus, 2022
70 x 60cm
Untitled
Joanna Woś
Untitled, 2022
14 x 24cm
The Present and the Past
Vojtěch Kovařík
The Present and the Past, 2022
200 x 200cm
this glass house
Lewis Hammond
this glass house, 2024
100 x 140 x 3.5cm
waiting in the park
Yu Nishimura
waiting in the park, 2024
45.5 x 38cm
Fianchetto for the win
Tina Braegger
Fianchetto for the win, 2024
38.5 x 30.5 x 3.5cm
When I met my first spiral
Ariana Papademetropoulos
When I met my first spiral, 2019
250 x 200cm
Untitled
Joanna Woś
Untitled, 2022
22 x 18cm
zweiterjulizweitausendundvierundzwanzig
Ugo Rondinone
zweiterjulizweitausendundvierundzwanzig, 2024
33 x 48.3cm
“safe, safe, safe”
Mary Ramsden
“safe, safe, safe”, 2021
128 x 70cm
Natacha Donzé
Artist
Natacha Donzé
B.1991, Swiss

Natacha Donzé’s creates mystifying paintings. By combining abstraction and figuration she relocates recognisable forms to extraordinary contexts. Ancient reliefs surface in galaxies, with unsettling constellations of corporate paraphernalia lighting up these compositions. Cartoon stars used for rating restaurants or experiences sit next to painterly ‘real’ stars, fragments of coke cans are bathed in cosmic light, whilst ruins of altars are suspended in space. By intertwining these spiritual, technological, and capitalist signifiers, Donzé’s canvases lead the viewer to question societal priorities within neo-liberalism, and to perhaps wrestle with the imbalances within their own lives. Donzé’s titles further this societal analysis, merging militant language with prosaic and religious phrases (Secular Liquid, The Stoop 2020, Commodity Zero 2020, Emissions of Decline, 2020). What runs as a constant throughout these acrylic works, is an insatiable sense of curiosity to unpick what it is that governs contemporary society, with each painting offering another cryptic clue to the puzzle. ...

Natacha Donzé: Artworks
GATHERING INTO ORDER I
Natacha Donzé
GATHERING INTO ORDER I, 2020
220 x 260cm
TEARS DRY FASTER UNDER THE SUN
Natacha Donzé
TEARS DRY FASTER UNDER THE SUN, 2019
110 x 130cm
SECULAR LIQUID, THE STOUP
Natacha Donzé
SECULAR LIQUID, THE STOUP, 2020
190 x 80cm
GENERAL ARMOR FACILITY
Natacha Donzé
GENERAL ARMOR FACILITY, 2020
150 x 40cm
SMUDGING THE MOLEHILLS
Natacha Donzé
SMUDGING THE MOLEHILLS, 2020
70 x 250cm
Repository, adaptation
Natacha Donzé
Repository, adaptation, 2024
80 x 80cm
Natacha Donzé, Repository, cycles
Natacha Donzé
Natacha Donzé, Repository, cycles, 2024
80 x 80cm
Relative mean absolute difference
Natacha Donzé
Relative mean absolute difference, 2024
150 x 240cm
Parliament
Gallery
Parliament
Paris

Parliament Gallery, founded in 2020, resembles a desire to rethink the function of the art gallery by formulating new proposals of audience interaction with the artwork and visibility to a new generation of french and international artists. Parliament wishes to build through a program that is dedicated to the circulation of ideas and collective reflection. The exhibition program will be interspersed with punctual “Interludes”, archive exhibitions and retrospectives, aiming to put into perspective the transdisciplinary character of creation. ...

Unlock Price & Inquiry Access