crocodile eyes

Math Bass

crocodile eyes, 202140.6 x 50.8cmSign in to view price
Details
MaterialGallery
Description
Human-crafted. AI-refined.

This vibrant artwork features a striking composition of playful, abstract floral shapes in bold colors. The canvas is dominated by a swarm of stylized flowers in hues of black, red, yellow, and pink, arranged across the background. The shapes are simplified, giving the piece a contemporary, graphic quality. The flowers appear to float against a serene, cream-colored backdrop, while the lower half of the frame is occupied by a series of undulating, dark green shapes, evoking a sense of movement and rhythm. This lively, whimsical work reflects the artist's exploration of color, form, and the natural world. ...

Similar Artworks
World Map #3
Amanda Ross-Ho
World Map #3, 2015
81 x 127cm
Black Box Collision A (21)
Shannon Ebner
Black Box Collision A (21), 2014
162.5 x 109cm
Sticky, Bright Light
Veronika Pausova
Sticky, Bright Light, 2024
127 x 104.1 x 3.5cm
Entanglement III
Anna Sew Hoy
Entanglement III, 2024
50 x 48 x 36cm
THE UNSUB
Amanda Ross-Ho
THE UNSUB, 2014
305 x 549cm
Untitled Croquis (Restless unsettled Cries inconsolably)
Amanda Ross-Ho
Untitled Croquis (Restless unsettled Cries inconsolably), 2018
38 x 28cm
Luxury is personal
Martine Syms
Luxury is personal, 2021
84.14 x 62.87 x 3.81cm
Leaning Tree
Shannon Ebner
Leaning Tree, 2002
86 x 127cm
Four Storefronts (Wardrobe)
Milano Chow
Four Storefronts (Wardrobe), 2023
29.8 x 47.6cm
THREE FELLED TREES
Shannon Ebner
THREE FELLED TREES, 2018
101.6 x 202.8 x 0.8cm
Fuck the Clock
P. Staff
Fuck the Clock, 2019
196 x 132 x 5cm
Flimsy Screen
Veronika Pausova
Flimsy Screen, 2024
45.7 x 38.1 x 3.5cm
Entanglement II
Anna Sew Hoy
Entanglement II, 2024
43 x 46 x 30cm
White Sock
Veronika Pausova
White Sock, 2024
127 x 104.1 x 3.5cm
Jamian
Borna Sammak
Jamian, 2025
30.5 x 25.4 x 5.1cm
Scene with Caryatids
Milano Chow
Scene with Caryatids, 2023
37.5 x 29.8cm
FRET
Untitled
Sayre Gomez
Untitled, 2024
102 x 76cm
ICED WINE (PINOT GRIGIO)
Amanda Ross-Ho
ICED WINE (PINOT GRIGIO), 2014
107 x 51cm
Do you have any film posters of ... BLACK MOVIES? He understands
Martine Syms
Do you have any film posters of ... BLACK MOVIES? He understands, 2021
84.46 x 62.87 x 3.81cm
The Crawling Key 01
Megan Plunkett
The Crawling Key 01, 2023
8.4 x 15.1 x 1.3cm
Entanglement I
Anna Sew Hoy
Entanglement I, 2024
49 x 36 x 30cm
Math Bass
Artist
Math Bass
B.1981, American

Operating in a dreamy space between surrealism and figuration, Math Bass has developed a distinct visual lexicon in their paintings. Graphic symbols or seemingly random objects such as fried eggs, bones, flowers, letters, and clouds are brought together in supremely flat registers that resurface and reshape in different paintings. The elongated legs, illustrative architectural fragments and bold calligraphy all could have been plucked from an Art Deco poster of the 1920s. The overlaps and unsettling juxtapositions that Bass develops creates narratives for audiences to unravel. The bewildering, somewhat uneasy tone of these oil paintings leaves space for Bass to meditate on their queerness through the language of the everyday, riffing off of personal experiences of navigating everyday environments in heteronormative society. Negative space is a particularly important ingredient within Bass’s compositions. Building on lessons learnt from their tutor Barbara Kruger, Bass values the anchoring presence of negative space, using it as a tool to aid coherence and clarity within each painting’s composition. ...

Math Bass: Artworks
Serpentine Door
Math Bass
Serpentine Door, 2017
182.9 x 91.4cm
Newz!
Math Bass
Newz!, 2018
91.8 x 84.1cm
Newz!
Math Bass
Newz!, 2019
106.68 x 111.76cm
Newz!
Math Bass
Newz!, 2019
81.28 x 86.36cm
crocodile eyes
Math Bass
crocodile eyes, 2021
40.6 x 50.8cm
Newz!
Math Bass
Newz!, 2019
106.68 x 111.76cm
Swamp
Math Bass
Swamp, 2020
50.8 x 76.2cm
Pink Clouds I
Math Bass
Pink Clouds I, 2021
132.1 x 106.7cm
New Teeth
Math Bass
New Teeth, 2022
101.6 x 96.5cm
Various Small Fires
Gallery
Various Small Fires
Los Angeles, Seoul, Dallas

Various Small Fires (Los Angeles /Dallas /Seoul) began as a series of conversations with artists and curators in Esther Kim Varet’s Venice Beach kitchen while working on her doctoral dissertation. VSF debuted in Hollywood as an official gallery in 2015 with a roster of artists and its current Johnston MarkLee Architects-designed building. The Hollywood gallery contains three exhibition spaces, a unique sound corridor, and an outdoor gallery. VSF’s exhibition program explores several curatorial lines: climate, equality, and an international conversation. The gallery is known for offering artists debut shows, creating intergenerational conversations among the artists on its roster, and solidifying artists’ legacies within art history. In 2019, VSF opened a second location in the Hannam neighbourhood of Seoul, South Korea, followed recently this Spring by VSFs third outpost in Dallas, Texas. While Varet has very personal connections to both locations, they are also superlative art communities. These expansions emphasise the gallery’s commitment to innovation and global dialogue in the twenty-first century. In 2021, VSF became a member of the Art Dealers Association of America (ADAA). ...

Unlock Price & Inquiry Access