THE UNSUB INVERTED

Amanda Ross-Ho

THE UNSUB INVERTED, 2014305 x 549cmPrice on Request
Details
MaterialGalleryLocation
painted canvas backdrop, eight lightjet prints, two photo umbrella stands, two white photo umbrellas, cast urethane, knit cotton tubing, acrylic paint, foam rubberThe approachLondon
Description
Human-crafted. AI-refined.

This contemporary artwork features a striking display of black and white masks arranged in a symmetrical grid formation. The use of contrasting tones and the stark, minimalist design create a visually compelling and thought-provoking composition. The masks, which appear to be expressionless, symbolize the theme of identity and the human condition. The artist's technique of using these identical yet distinct masks suggests a commentary on the duality of individuality and conformity within society. The overall artistic style reflects a modernist aesthetic, inviting the viewer to ponder the deeper psychological and social implications of the piece. ...

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Amanda Ross-Ho
Artist
Amanda Ross-Ho
1975 , American

Amanda Ross-Ho works across painting, sculpture, photography, and drawing and these varied components of her practice regularly gather within her surreal installations. Often blending more utilitarian matter such as polystyrene, sharpie ink or thread with discarded everyday objects such as clothing or receipts, Ross-Ho brings these ephemera together in a deeply observant context— using varying techniques to “conflate or collapse the authentic or the performed from the everyday”. Borrowing from the techniques of the Dadaists and their ready-mades, a wine-soaked piece of notepaper might provide the surface for a silk screen print, or a pair of workwear trousers could spark a series of gigantic sculptures. Uncanny-drawn motifs such as cartoon faces or calligraphic clockfaces continue to surface in varying forms, reincarnated in textiles, photographs or sculptures, building an otherworldly language and oeuvre for Ross-Ho to manoeuvre within. Experimenting with scale and these alternating processes, Ross-Ho is able to extract the bizarre from the seemingly banal, contorting associations to reveal the thin line between artifice and nature in our everyday environments. ...

Amanda Ross-Ho: Artworks
Untitled Crisis Actor (WORST PAIN IMAGINABLE)
Amanda Ross-HoUntitled Crisis Actor (WORST PAIN IMAGINABLE), 2018Price on Request
Untitled Crisis Actor (Restless unsettled Cries inconsolably)
Amanda Ross-HoUntitled Crisis Actor (Restless unsettled Cries inconsolably), 2018Price on Request
Untitled Croquis (Restless unsettled Cries inconsolably)
Amanda Ross-HoUntitled Croquis (Restless unsettled Cries inconsolably), 2018Price on Request
Untitled Croquis (WORST PAIN IMAGINABLE)
Amanda Ross-HoUntitled Croquis (WORST PAIN IMAGINABLE), 2018Price on Request
Untitled Timepiece (A CLEARLY ERRONEOUS HOLDING)
Amanda Ross-HoUntitled Timepiece (A CLEARLY ERRONEOUS HOLDING), 2017Price on Request
Untitled Timepiece (REACT AS NEEDED/AIR FORCE ONES)
Amanda Ross-HoUntitled Timepiece (REACT AS NEEDED/AIR FORCE ONES), 2017Price on Request
THE UNSUB INVERTED
Amanda Ross-HoTHE UNSUB INVERTED, 2014Price on Request
ICED WINE (PINOT GRIGIO)
Amanda Ross-HoICED WINE (PINOT GRIGIO), 2014Price on Request
THE UNSUB
Amanda Ross-HoTHE UNSUB, 2014Price on Request
Untitled Prototype #5 (DIRTY GLOVES)
Amanda Ross-HoUntitled Prototype #5 (DIRTY GLOVES), 201810000 GBP
Untitled Prototype #4 (DIRTY GLOVES)
Amanda Ross-HoUntitled Prototype #4 (DIRTY GLOVES), 201810000 GBP
Untitled Timepiece (NEW CHAIR, DECENT BED)
Amanda Ross-HoUntitled Timepiece (NEW CHAIR, DECENT BED), 201825000 USD
Untitled Timepiece (THE LANGUAGE TO DESCRIBE OUR PATHOLOGY HAS NOT YET BEEN INVENTED)
Amanda Ross-HoUntitled Timepiece (THE LANGUAGE TO DESCRIBE OUR PATHOLOGY HAS NOT YET BEEN INVENTED), 201825000 USD
Untitled Vestment #1 (HAVE NOT)
Amanda Ross-HoUntitled Vestment #1 (HAVE NOT), 201612000 USD
Untitled T-Shirt (WORLD MAP #2)
Amanda Ross-HoUntitled T-Shirt (WORLD MAP #2), 201530000 USD
World Map #3
Amanda Ross-HoWorld Map #3, 201510000 USD
DEAD BLADES
Amanda Ross-HoDEAD BLADES, 20141500 USD
WARM WINE (PINOT NOIR)
Amanda Ross-HoWARM WINE (PINOT NOIR), 201412000 USD
Tarnished Diamond
Amanda Ross-HoTarnished Diamond, 201345000 USD
UNTITLED APRON
Amanda Ross-HoUNTITLED APRON, 201140000 USD
Untitled Model (RAGS)
Amanda Ross-HoUntitled Model (RAGS), 201510000 USD
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...