Untitled Timepiece (THE LANGUAGE TO DESCRIBE OUR PATHOLOGY HAS NOT YET BEEN INVENTED)

Amanda Ross-Ho

Untitled Timepiece (THE LANGUAGE TO DESCRIBE OUR PATHOLOGY HAS NOT YET BEEN INVENTED), 2018132.1 x 132.1cmSign in to view price
Details
MaterialGallery
silkscreen, acrylic, and graphite on canvas covered panelThe approach
Description
Human-crafted. AI-refined.

This contemporary artwork features a collage-like composition of various abstract shapes, symbols, and text elements within a clock face. The colors are muted, primarily consisting of neutral tones with accents of red and yellow. The overall arrangement creates a visually dynamic and complex design, blending geometric patterns with more organic, expressive forms. The artwork appears to comment on the passage of time and the fragmented nature of modern life, drawing the viewer's attention to the juxtaposition of numerical markings and eclectic visual elements. The artist's intention seems to be to challenge the viewer's perception of time and prompt reflection on the rapid pace of contemporary society. ...

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Amanda Ross-Ho
Artist
Amanda Ross-Ho
B.1975, American

Amanda Ross-Ho works across painting, sculpture, photography, and drawing and these varied components of her practice regularly gather within her surreal installations. Often blending more utilitarian matter such as polystyrene, sharpie ink or thread with discarded everyday objects such as clothing or receipts, Ross-Ho brings these ephemera together in a deeply observant context— using varying techniques to “conflate or collapse the authentic or the performed from the everyday”. Borrowing from the techniques of the Dadaists and their ready-mades, a wine-soaked piece of notepaper might provide the surface for a silk screen print, or a pair of workwear trousers could spark a series of gigantic sculptures. Uncanny-drawn motifs such as cartoon faces or calligraphic clockfaces continue to surface in varying forms, reincarnated in textiles, photographs or sculptures, building an otherworldly language and oeuvre for Ross-Ho to manoeuvre within. Experimenting with scale and these alternating processes, Ross-Ho is able to extract the bizarre from the seemingly banal, contorting associations to reveal the thin line between artifice and nature in our everyday environments. ...

Amanda Ross-Ho: Artworks
Untitled Crisis Actor (WORST PAIN IMAGINABLE)
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Untitled Crisis Actor (WORST PAIN IMAGINABLE), 2018
142 x 140cm
Untitled Crisis Actor (Restless unsettled Cries inconsolably)
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Untitled Crisis Actor (Restless unsettled Cries inconsolably), 2018
148 x 142cm
Untitled Croquis (Restless unsettled Cries inconsolably)
Amanda Ross-Ho
Untitled Croquis (Restless unsettled Cries inconsolably), 2018
38 x 28cm
Untitled Croquis (WORST PAIN IMAGINABLE)
Amanda Ross-Ho
Untitled Croquis (WORST PAIN IMAGINABLE), 2018
38 x 28cm
Untitled Timepiece (A CLEARLY ERRONEOUS HOLDING)
Amanda Ross-Ho
Untitled Timepiece (A CLEARLY ERRONEOUS HOLDING), 2017
132.1 x 132.1cm
Untitled Timepiece (REACT AS NEEDED/AIR FORCE ONES)
Amanda Ross-Ho
Untitled Timepiece (REACT AS NEEDED/AIR FORCE ONES), 2017
132.1 x 132.1cm
THE UNSUB INVERTED
Amanda Ross-Ho
THE UNSUB INVERTED, 2014
305 x 549cm
ICED WINE (PINOT GRIGIO)
Amanda Ross-Ho
ICED WINE (PINOT GRIGIO), 2014
107 x 51cm
THE UNSUB
Amanda Ross-Ho
THE UNSUB, 2014
305 x 549cm
Untitled Prototype #5 (DIRTY GLOVES)
Amanda Ross-Ho
Untitled Prototype #5 (DIRTY GLOVES), 2018
71.1 x 91.4cm
Untitled Prototype #4 (DIRTY GLOVES)
Amanda Ross-Ho
Untitled Prototype #4 (DIRTY GLOVES), 2018
71.1 x 91.4cm
Untitled Timepiece (NEW CHAIR, DECENT BED)
Amanda Ross-Ho
Untitled Timepiece (NEW CHAIR, DECENT BED), 2018
132.1 x 132.1cm
Untitled Timepiece (THE LANGUAGE TO DESCRIBE OUR PATHOLOGY HAS NOT YET BEEN INVENTED)
Amanda Ross-Ho
Untitled Timepiece (THE LANGUAGE TO DESCRIBE OUR PATHOLOGY HAS NOT YET BEEN INVENTED), 2018
132.1 x 132.1cm
Untitled Vestment #1 (HAVE NOT)
Amanda Ross-Ho
Untitled Vestment #1 (HAVE NOT), 2016
203 x 122cm
Untitled T-Shirt (WORLD MAP #2)
Amanda Ross-Ho
Untitled T-Shirt (WORLD MAP #2), 2015
191 x 130cm
World Map #3
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World Map #3, 2015
81 x 127cm
DEAD BLADES
Amanda Ross-Ho
DEAD BLADES, 2014
40.6 x 10.2cm
WARM WINE (PINOT NOIR)
Amanda Ross-Ho
WARM WINE (PINOT NOIR), 2014
106.7 x 50.8cm
Tarnished Diamond
Amanda Ross-Ho
Tarnished Diamond, 2013
167.6 x 55.9cm
UNTITLED APRON
Amanda Ross-Ho
UNTITLED APRON, 2011
215.9 x 147.32cm
Untitled Model (RAGS)
Amanda Ross-Ho
Untitled Model (RAGS), 2015
86.7 x 35.6 x 16.5cm
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...

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