Untitled
Details
Material
oil on canvas
Description
Human-crafted. AI-refined.

The painting features a vibrant, colorful composition with bold brushstrokes. The central focus is on two figures embracing each other, depicted in a warm, joyful manner against a lush, verdant backdrop. The artist's use of vivid greens, blues, and earth tones creates a striking visual impact. The expressive, gestural style and the celebratory subject matter suggest this work aims to capture a moment of human connection and celebration within a larger cultural context. ...

Similar Artworks
Big Ocean, Caribbean Blues, L, August
Alvaro Barrington
Big Ocean, Caribbean Blues, L, August, 2024
192.5 x 207.5 x 7.5cm
Lost
Yoora Lee
Lost, 2021
30.5 x 30.5cm
Long Afternoon
Yoora Lee
Long Afternoon, 2021
40.6 x 50.8cm
Untitled pac rose series
Alvaro Barrington
Untitled pac rose series, 2022
Fallen Sakura
Yoora Lee
Fallen Sakura, 2021
71.1 x 81.3cm
Hibiscus Fruit-Red Yellow (two males uprising) with Anansi Spider
Alvaro Barrington
Hibiscus Fruit-Red Yellow (two males uprising) with Anansi Spider, 2019
213.4 x 167.6 x 3.8cm
Self Portrait as clone of Jeanne d'Arc (Algernon Joan)
Bunny Rogers
Self Portrait as clone of Jeanne d'Arc (Algernon Joan), 2019
200.5 x 163 x 7.5cm
Opinel Hoard Shadow
Eddie Peake
Opinel Hoard Shadow, 2017
44 x 51cm
Falling
Yoora Lee
Falling, 2021
30.5 x 30.5cm
Portrait with blond curls
Claire Tabouret
Portrait with blond curls, 2018
23 x 30.5cm
Sunset Complexion
Sophia Al Maria
Sunset Complexion, 2017
24 x 42cm
Phoenix
Handidi Kuzviona
Portia Zvavahera
Handidi Kuzviona, 2016
238 x 140cm
Untitled
Alvaro Barrington
Untitled, 2025
212 x 272 x 8cm
Kudzanai-Violet Hwami
Artist
Kudzanai-Violet Hwami
B.1993, Zimbabwean

Having fled her homeland due to the political unrest and turmoil when she was a child, Zimbabwe-born painter Kudzanai-Violet Hwami expresses her personal experiences of dislocation, displacement and fragmentation through her striking figurative paintings. The artist is interested in the ‘collapsing of geography and time and space’ symptomatic of a globalised world and high-speed internet, through which both people and information can travel quickly. Because of this collapse, and with the inspiration of Robert Rauschenberg and Jean-Michel Basquiat, whom the artist describes as able to “think in collage”, Hwami’s paintings often display a patchwork of enigmatic transtemporal fragments, scattered and regathered vignettes. The artist often uses her own family photographs as source material, using the practice of painting as a means of reconnection, or estrangement. The background of Family Portrait (2017) is rendered in large smudges of primary colour, while a family sits on a sofa in the foreground, one of their faces scratched out in white paint, and a faint vertical line which bisects the painting, as well as the family itself. Behind them is another family portrait painted as an eerie photo negative. ...

Kudzanai-Violet Hwami: Artworks
Medicine man
Kudzanai-Violet Hwami
Medicine man, 2019
120 x 120cm
Newtown
Bira
Untitled
Sitting by Sekuru’s grave
Kudzanai-Violet Hwami
Sitting by Sekuru’s grave, 2019
120 x 120cm
With all your friends
Kudzanai-Violet Hwami
With all your friends, 2019
30 x 30cm
Untitled
Speaking in tongues
Kudzanai-Violet Hwami
Speaking in tongues, 2019
18 x 30 x 30cm
Unlock Price & Inquiry Access