Amalia Pica
Details
Description
Human-crafted. AI-refined.The artwork features a wooden sculpture with a circular ring and a branch-like structure adorned with pinecones. The composition is minimalist, with the natural elements taking center stage against a plain white background. The warm, earthy tones of the wood and the textural details of the pinecones create a tactile and organic feel. The artist seems to have used simple, yet elegant craftsmanship to highlight the inherent beauty and form of these natural materials, inviting the viewer to appreciate the intersection of nature and art. ...
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Amalia Pica
1978 , ArgentinianAmalia Pica’s practice, which includes sculpture, performance, installation, drawing and video, explores human communication, its failures and intimacy. Human modes of interaction, such as the desire to be understood and accepted, are central to her work. Pica uses found objects, like hair brushes, wine bottles and confetti, verbal and non-verbal linguistic tools, like texts and venn diagrams, out-dated means of communication, like shutter telegraphs and slide projectors. Her live performances are audience-driven, creating situations of encounters, awkward and real. Having been born during the 'Dirty War' in Argentina, Pica’s works further consider the issue of state control, history, representation and systems of bureaucracy. In her performances, she explores the ways civic participation can become a mode of resistance to political oppression across time and cultures. ...
Amalia Pica: Artworks
Herald St
London, LondonHerald St was established in 2005 by Ash L’ange and Nicky Verber. With two spaces across London, Herald St represents twenty-five international artists and participates in multiple art fairs including Art Basel, Frieze London, and Frieze Los Angeles amongst others. Works by Herald St artists are held in many museum collections and are regularly included in exhibitions within public institutions.