Olive Tree and Wall to Stop Locusts,  (Diptych)

Lisa Oppenheim

Olive Tree and Wall to Stop Locusts, (Diptych), 191567.5 x 90cmSign in to view price
Details
MaterialGallery
unique silver gelatin printThe approach
Description
Human-crafted. AI-refined.

The artwork presents a striking black-and-white diptych photograph. The left panel captures the details of a tree's bark, showcasing its intricate patterns and textures, while the right panel depicts a distant landscape shrouded in hazy, atmospheric elements. The high-contrast monochrome palette, combined with the juxtaposition of the close-up and distant views, creates a sense of visual tension and contemplation. The artist's use of this minimalist, documentary-style approach suggests an exploration of the relationship between the natural world and the human perception of it. The overall composition and execution reflect a modernist aesthetic, inviting the viewer to consider the underlying themes of the piece. ...

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Lisa Oppenheim
Artist
Lisa Oppenheim
B.1975, American

Lisa Oppenheim's work is heavily inspired by research, particularly in the history of photography. Oppenheim utilizes various research methods, such as exploring photographic archives, libraries, collections, and online resources as starting points for her layered and sometimes starkly abstract work. Through delving into documentary archives, investigating the neglected outtakes of renowned photographers that were removed from the historical record for various reasons, Oppenheim collects and resurrects them in her imagery. These obscure finds and missing links also have technical parallels in her work. Oppenheim's images often feature fragments and experiment with exposure, suggesting the nuances of what is visible and invisible, revealed and concealed by the camera's mechanics. Her multifaceted work encapsulates photography's most intricate function: the ability to remain entirely silent while appearing to describe the world in infinite detail. ...

Lisa Oppenheim: Artworks
Pendant  (Version IX)
Lisa OppenheimPendant (Version IX), 1943
55.8 x 45.8 x 3.9cm
Calendar,
Lisa OppenheimCalendar,, 1875
128.5 x 146.5cm
Calendar, 1707-1762
Mountain of Signs, II
Mountain of Signs, I
Goldener Apfelbaum,
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...

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