Everybody and their mother

Olga Balema

Everybody and their mother, 2016135 x 152 x 15cmSign in to view price
Details
MaterialGallery
map, latex, pigment, acrylic paintCroy Nielsen
Description
Human-crafted. AI-refined.

The artwork features a striking visual composition with bold, contrasting colors and shapes. The backdrop is a vibrant purple hue, evoking a sense of movement and fluidity. Prominent in the center is a large, irregularly shaped red form, resembling a map or landmass. Resting atop this shape is an intriguing, organic object, its rugged texture and warm tone creating an intriguing juxtaposition. The overall style is abstract and conceptual, inviting the viewer to contemplate the interplay between the elements and their potential symbolic or political meanings, as suggested by the title "Europa: Integrationspolitik (1945-1975)." ...

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Loop 238
Artist
Olga Balema
B.1984, Ukrainian/British

Olga Balema’s artworks are an investigation of form. They are characterised by a tense relationship and contrasts in materiality, often comprising a hard framework with soft, fragile innards. Balema frequently employs latex which, especially in Bread for Life (2016), is held taut and barbed by jagged steel rods, or perhaps armatures, recalling Eva Hesse’s postminimalist practice and the slow sagging of the material over time. The notion of tension – perhaps most commonly, representations of the contrast between the hard bones of a human skeleton and the flesh that furnishes it – are further echoed in the rubber bands and shoelaces plotting a geometry across the gallery floor in brain damage (2019), the teetering globules of latex, moulded to look like breasts, protruding from the globe in 2016’s Globe, tacked on unsteadily, and the soft PVC sacks filled with steel rods and water, ready to burst, in Threat to Civilization 2 (2015). ...

Olga Balema: Artworks
Untitled
Olga BalemaUntitled, 2014
38 x 70 x 32cm
Wild possession
Untitled
Computer
Olga BalemaComputer, 2021
42500 x 1000cm
Serious topics
Globe
Olga BalemaGlobe, 2016
96.5 x 61 x 51cm
Motherfucker
Olga BalemaMotherfucker, 2016
73 x 110 x 12cm
the gift of tears
Appetite
Olga BalemaAppetite, 2017
90 x 50 x 30cm
Floor
Olga BalemaFloor, 2019
76 x 152 x 177cm
Leaf
Olga BalemaLeaf, 2019
43 x 111 x 58cm
Loop 238
Olga BalemaLoop 238, 2025
50 x 38 x 49cm
Loop 234
Olga BalemaLoop 234, 2025
80 x 20 x 25cm
Croy Nielsen
Gallery
Croy Nielsen
Vienna

In 2016 Croy Nielsen moved from Berlin to Vienna, where it is located in the beletage apartment of a historical building in the 1st district. The gallery was founded by Oliver Croy (AT) and Henrikke Nielsen (DK). Artists such as Nina Beier, Marie Lund, and Benoît Maire, have been part of the program since its inception, and were later joined by Olga Balema, Georgia Gardner Gray, and Sandra Mujinga. Vienna-based artists include Ernst Yohji Jaeger, Joanna Woś, and Soshiro Matsubara. The gallery has strong ties to the Nordic region, representing several artists from the Scandinavian contries and regularly participating in fairs and projects in the area. ...

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