What Grows (Flowers, Flowers)
What Grows (Flowers, Flowers)
What Grows (Flowers, Flowers)
What Grows (Flowers, Flowers)
What Grows (Flowers, Flowers)
What Grows (Flowers, Flowers)
What Grows (Flowers, Flowers)
What Grows (Flowers, Flowers)

Magali Reus

What Grows (Flowers, Flowers), 202256 x 117 x 160cmSign in to view price
Details
MaterialGallery
welded, forged and laser cut steel powder coated steel, welded, forged and laser cut mirror polished steel, machine and hand folded, welded, hammered, laser cut powder coated aluminium, 3d sculpted sand and binder agent, acrylic, 3d printed nylon sls, spray paint, waxThe approach
Description
Human-crafted. AI-refined.

This contemporary art piece features a striking contrast of colors and materials. The central element is a distorted, angular white form, reminiscent of a facial mask or shield, surrounded by two dark, asymmetrical shapes that resemble military-style pouches or straps. The overall composition suggests a sense of duality, protection, and the intersection of the human form with functional, industrial-like objects. The artist's intention may be to explore themes of identity, power dynamics, and the blending of the organic and the manufactured in modern society. ...

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Magali Reus
Artist
Magali Reus
B.1981, Dutch

Magali Reus produces sculptures by assembling common objects, such as no-parking signs or locks, into brand new and unfamiliar forms. Although she is attuned to the physical world, Reus avoids using pre-existing objects and instead meticulously fabricates each component of her sculptures using a combination of traditional and modern techniques. Working in series, she explores and expands upon the cultural and physical properties of these objects, forging connections between the sculptures and their physicality. Manipulating colours, materials, textures, and shapes, Reus disrupts typical associations and employs a mixture of digital design and traditional sculpting techniques that involve various materials like aluminum, steel, and resin. This process of abstraction enables alternative associations to form, giving her sculptures a surreal and otherworldly quality. Reus characterizes her sculptures as "unreal things" that could easily fit within either a computer-generated realm or a Surrealist composition. ...

Magali Reus: Artworks
Clementine (Bandid)
Landings (68424, Drop)
UV Set (Knaves)
Hwael (The Flat)
Magali ReusHwael (The Flat), 2017
235 x 225 x 77.5cm
In Place Of (Appetites)
In Place Of (Sundries)
Magali ReusIn Place Of (Sundries), 2015
153.4 x 199.4 x 55.9cm
Parking (Bench Press)
Dregs (Slur)
Magali ReusDregs (Slur), 2014
50 x 110 x 80cm
Dregs (Grub Bake)
Lukes (Fossil Fruits)
Lukes (Half Moon Sweat)
Clementine (Frank)
Our Volumes
Magali ReusOur Volumes, 2022
142 x 90 x 35cm
What Grows (Red Roses)
Landings (2500.1, Blush)
The Greenest Grass
Clay (Mushrooms)
Sentinel (Vapor Trail)
On Alligator
Magali ReusOn Alligator, 2017
126 x 231 x 117cm
Mt. Lugs
Magali ReusMt. Lugs, 2017
124 x 219 x 146cm
Clementine (Bud)
Grain of Wind
Magali ReusGrain of Wind, 2021
189 x 59.9 x 72.6cm
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...

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