In Place Of (Appetites)

Magali Reus

In Place Of (Appetites), 201525.5 x 157.5 x 139.5cmSign in to view price
Details
MaterialGallery
black waxed jesmonite, pigments, powder coated and welded steel rod, jesmonite, sand, renaissance wax, phosphated, folded laser cut and powder coated steel, vinyl, pvc, painted paper pulp and polyester resin, powder coated aluminium foilThe approach
Description
Human-crafted. AI-refined.

This contemporary sculpture features an assortment of everyday objects arranged on a minimalist black platform. The composition combines various shapes and textures, including a gridded metal structure, discs, and other unidentified elements. The overall effect is a visually striking and conceptual juxtaposition of mundane items, inviting the viewer to consider the relationships and meanings hidden within the carefully curated arrangement. The artist's intention seems to be exploring the boundaries between the ordinary and the extraordinary, challenging the viewer's perception of everyday objects and their inherent significance in the realm of contemporary art. ...

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Magali Reus
Artist
Magali Reus
B.1981, Dutch

Magali Reus produces sculptures by assembling common objects, such as no-parking signs or locks, into brand new and unfamiliar forms. Although she is attuned to the physical world, Reus avoids using pre-existing objects and instead meticulously fabricates each component of her sculptures using a combination of traditional and modern techniques. Working in series, she explores and expands upon the cultural and physical properties of these objects, forging connections between the sculptures and their physicality. Manipulating colours, materials, textures, and shapes, Reus disrupts typical associations and employs a mixture of digital design and traditional sculpting techniques that involve various materials like aluminum, steel, and resin. This process of abstraction enables alternative associations to form, giving her sculptures a surreal and otherworldly quality. Reus characterizes her sculptures as "unreal things" that could easily fit within either a computer-generated realm or a Surrealist composition. ...

Magali Reus: Artworks
Clementine (Bandid)
Landings (68424, Drop)
UV Set (Knaves)
Hwael (The Flat)
Magali ReusHwael (The Flat), 2017
235 x 225 x 77.5cm
In Place Of (Appetites)
In Place Of (Sundries)
Magali ReusIn Place Of (Sundries), 2015
153.4 x 199.4 x 55.9cm
Parking (Bench Press)
Dregs (Slur)
Magali ReusDregs (Slur), 2014
50 x 110 x 80cm
Dregs (Grub Bake)
Lukes (Fossil Fruits)
Lukes (Half Moon Sweat)
Clementine (Frank)
Our Volumes
Magali ReusOur Volumes, 2022
142 x 90 x 35cm
What Grows (Red Roses)
Landings (2500.1, Blush)
The Greenest Grass
Clay (Mushrooms)
Sentinel (Vapor Trail)
On Alligator
Magali ReusOn Alligator, 2017
126 x 231 x 117cm
Mt. Lugs
Magali ReusMt. Lugs, 2017
124 x 219 x 146cm
Clementine (Bud)
Grain of Wind
Magali ReusGrain of Wind, 2021
189 x 59.9 x 72.6cm
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...

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