The artwork features a simple yet striking composition, with a large, rectangular hay bale placed on a grey concrete floor against a stark white wall. The hay bale's organic, tightly bound form contrasts sharply with the clean, minimalist setting, creating a visual tension. The muted, earthy tones of the hay and the clinical, uniform appearance of the room suggest an exploration of the relationship between nature and industrialization. The artist's use of everyday, found materials and the emphasis on the intrinsic properties of the materials contribute to the work's conceptual and aesthetic appeal, inviting the viewer to consider the interplay between the natural and the constructed. ...
Through an investigation into the practical and theoretical relationship between objects and tools, and an inquiry into the very nature of their functionality, Pablo Accinelli picks apart the understanding of labour and the implements of its performance. In his installations, Accinelli appropriates and subverts familiar household objects, such as spirit levels, paperclips or padlocks, all of which hold symbolic importance beyond their function and spatiality. They signify specific external environments and remark upon capitalism, the toll of physical labour or the durational process of waiting. As is the role of the objects, Accinelli’s arrangement is meticulous and measured, creating a metered poeticism through arrangement and order. ...
