Patricia Dominguez
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Human-crafted. AI-refined.These three ceramic vessels feature vibrant colors and abstract geometric patterns characteristic of contemporary art. The pieces employ a range of earthy tones, including brown, pink, and grey, which are accentuated by bold black and white shapes. The overall composition creates a dynamic and visually engaging effect, with the asymmetrical designs and textured surfaces suggesting a sense of movement and fluidity. The artist's intention seems to be exploring the intersection of form, color, and symbolism to evoke a distinct artistic style and cultural heritage. ...
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Patricia Dominguez
1984 , ChileanPatricia Domínguez is interested in healing practices, ethnobotany and the co-opting and corporatisation of ‘wellness’ and wellbeing, and the points at which, through colonial encounters and cultural collision, these concepts connect or mutate. Through her exploration of ethnobotany in South America – the relationship and interconnectedness between plants and humans, including plants’ modification, use and geographical dispersal – the artist uncovers processes of colonial extraction and capitalism. Domínguez creates disparate assemblages that incorporate talismanic, culturally-specific objects, collected and recycled, with the synthetic detritus of neoliberalism, extractivist and finance; business shirts, electronics, and even the LED screens upon which the artist’s video works are shown. ...