The artwork depicts a serene outdoor scene with a lush, verdant landscape. The composition is dominated by a large, flourishing tree with dark purple-hued foliage, creating a striking contrast against the verdant meadow beneath. Numerous sculptures, resembling abstract stone formations, are scattered throughout the grassy field, adding a subtle yet captivating element to the scene. The overall style and technique suggest a harmonious interplay between the natural and the man-made, inviting the viewer to contemplate the relationship between the organic and the constructed. This piece may be intended to explore themes of environmental preservation and the delicate balance between nature and human intervention. ...
Patrick Goddard primarily creates video, sculpture and installation as well as working with photography, painting and drawing. His politically loaded and narrative based works undermine themselves with a self-defeating black comedy as they chart the artist’s fumbled attempts to create a personal and political integrity. Works focus on a range of topics: from ecology, the Anthropocene and the animal; to race politics, gentrification, and urbanization.
Goddard’s recent solo exhibitions include ‘Pedigree’, Seventeen, 2022; ‘Die Biester’, E-Werk, Freiburg, 2021; ‘Trip to Eclipse’, Matt’s Gallery, London 2020; ‘Go Professional’, Seventeen, 2017; ‘Looking for the Ocean Estate’ Almanac Projects, London, 2016, ‘Gone To Croatan’ at Outpost Gallery, Norwich, 2015; ‘Revolver II’ at Matt’s Gallery, London, 2014. He is also featured in the UK touring exhibition, British Art Show 9, 2021-22 and released a book of photography with the Basel based publishers Speres Projects in 2022. Goddard completed an MFA at Goldsmiths University in 2011 and a doctorate at Oxford University in 2018.
Most recently, Goddard presented a solo exhibit at the inaugural Paris+ par Art Basel centred around a new film titled Whoopsie’s Dream. ...
