Patrick Goddard
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Human-crafted. AI-refined.This sculptural work features an intriguing amalgamation of organic and industrial forms. The muted silver-gray coloration and irregular, textured surfaces create a sense of weathered, almost fossil-like quality. The central structure evokes a strange, alien creature or plant-like growth, with its twisted, branching appendages emerging from a central core. The overall composition has a delicate, precarious balance, hinting at themes of fragility and the relationship between nature and human-made materials. The artist's use of found or recycled objects in this piece likely reflects a commentary on the environmental impact of industry and technology. ...
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Patrick Goddard
B.1984, BritishPatrick Goddard primarily creates video, sculpture and installation as well as working with photography, painting and drawing. His politically loaded and narrative based works undermine themselves with a self-defeating black comedy as they chart the artist’s fumbled attempts to create a personal and political integrity. Works focus on a range of topics: from ecology, the Anthropocene and the animal; to race politics, gentrification, and urbanization. Goddard’s recent solo exhibitions include ‘Pedigree’, Seventeen, 2022; ‘Die Biester’, E-Werk, Freiburg, 2021; ‘Trip to Eclipse’, Matt’s Gallery, London 2020; ‘Go Professional’, Seventeen, 2017; ‘Looking for the Ocean Estate’ Almanac Projects, London, 2016, ‘Gone To Croatan’ at Outpost Gallery, Norwich, 2015; ‘Revolver II’ at Matt’s Gallery, London, 2014. He is also featured in the UK touring exhibition, British Art Show 9, 2021-22 and released a book of photography with the Basel based publishers Speres Projects in 2022. Goddard completed an MFA at Goldsmiths University in 2011 and a doctorate at Oxford University in 2018. Most recently, Goddard presented a solo exhibit at the inaugural Paris+ par Art Basel centred around a new film titled Whoopsie’s Dream. ...