Patrick Goddard
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Human-crafted. AI-refined.The artwork features a wooden framed window-like structure with two panes of glass. Within the frame, a collage of newspaper clippings and images is displayed, creating a layered and visually intriguing composition. The colors are primarily muted, with a focus on black, white, and various shades of gray. The overall style and technique employed suggest a minimalist and conceptual approach, combining found objects and media to explore themes of memory, time, and the relationship between art and everyday life. The historical context or the artist's intention behind this piece may be to provoke contemplation on the significance of seemingly mundane materials and their ability to convey deeper narratives. ...
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Patrick Goddard
1984, BritishPatrick Goddard primarily creates video, sculpture and installation as well as working with photography, painting and drawing. His politically loaded and narrative based works undermine themselves with a self-defeating black comedy as they chart the artist’s fumbled attempts to create a personal and political integrity. Works focus on a range of topics: from ecology, the Anthropocene and the animal; to race politics, gentrification, and urbanization. Goddard’s recent solo exhibitions include ‘Pedigree’, Seventeen, 2022; ‘Die Biester’, E-Werk, Freiburg, 2021; ‘Trip to Eclipse’, Matt’s Gallery, London 2020; ‘Go Professional’, Seventeen, 2017; ‘Looking for the Ocean Estate’ Almanac Projects, London, 2016, ‘Gone To Croatan’ at Outpost Gallery, Norwich, 2015; ‘Revolver II’ at Matt’s Gallery, London, 2014. He is also featured in the UK touring exhibition, British Art Show 9, 2021-22 and released a book of photography with the Basel based publishers Speres Projects in 2022. Goddard completed an MFA at Goldsmiths University in 2011 and a doctorate at Oxford University in 2018. Most recently, Goddard presented a solo exhibit at the inaugural Paris+ par Art Basel centred around a new film titled Whoopsie’s Dream. ...