Details
MaterialGallery
5 fibreglass flag poles, iron basesDvir Gallery
Description
Human-crafted. AI-refined.

The artwork appears to be a photographic composition capturing the contrasting architectural elements of a modern high-rise building and a historic, ornate structure. The visual elements emphasize the striking juxtaposition of the sleek, glass-paneled skyscraper against the ornamental facade of the older building. The overall composition creates a sense of juxtaposition, with the angular, geometric shapes of the modern structure contrasting sharply with the intricate details and symmetry of the historic architecture. The distinctive techniques employed, including the use of dramatic perspective and framing, suggest the artist's intention to highlight the interplay between modernity and historical preservation within an urban landscape. ...

Similar Artworks
Inner Past, performance
Sorcières #8
Dalila Dalléas BouzarSorcières #8, 2019
114 x 146cm
Healing object (chaise fleurie)
Unknown #10b
Mohamed BourouissaUnknown #10b, 2014
39 x 30cm
Séquence III #2
Untitled #5, série Maison
Streams II (#4, Aluminum)
Isabelle CornaroStreams II (#4, Aluminum), 2019
150 x 22.5 x 11.5cm
Studio Paris
Dalila Dalléas BouzarStudio Paris, 2018
30 x 40cm
Highills
Vidya GastaldonHighills, 2018
100 x 160cm
Untitled
Isabelle CornaroUntitled, 2019
22.5 x 22.5 x 7.4cm
Studio Dakar (Oumou)
Lila, série Taboo
Dalila Dalléas BouzarLila, série Taboo, 2013
50 x 40cm
Océan sentimental (T)
Studio Dakar (Omar)
Dalila Dalléas BouzarStudio Dakar (Omar), 2018
40 x 30cm
Studio Dakar (Maria)
Studio Dakar (Oumou)
Untitled #8, série Ma demeure
Streams II (#6, Aluminum)
Isabelle CornaroStreams II (#6, Aluminum), 2019
116.5 x 22.5 x 11.5cm
Temps mort
Mohamed BourouissaTemps mort, 2008
45.72cm
Le Nez (The Nose)
(...)
Shannon Ebner(...), 2010
300 x 200cm
Les colonnes
Vidya GastaldonLes colonnes, 2021
29.4 x 41.7cm
Autoportrait #8
Dalila Dalléas BouzarAutoportrait #8, 2021
30 x 40cm
Latifa Echakhch
Artist
Latifa Echakhch
B.1974, French/Moroccan

Born in 1974 in El Khnansa, Morocco. Lives and works in Switzerland. Latifa Echakhch often introduces associations with ‘cultural mementos’ that reveal a complicated relationships, where symbolic valency is subtracted, its absence suggesting an entirely new meaning and presence. Echakhch re-imagines and re-evaluates found objects and defamiliarizes the vernacular, questioning the meaning embedded in these and, in general, our own relationship and preconceptions towards such objects. Only when supposedly known objects have been emptied of their original meaning can they be read in many ways. Referencing and appropriating the archetypes, ideologies of modernism and beyond, she reflects on the often-prejudiced perception of national and religious identities in works that are both poetic and conceptual, and questions the semantics of cultural paradigms, providing instead what the artist calls “poetic transfiguration”. ...

Latifa Echakhch: Artworks
Derives 18
Latifa EchakhchDerives 18, 2011
200 x 150cm
Untitled (black clouds)
Screen Shot R.M
Latifa EchakhchScreen Shot R.M, 2015
173 x 300 x 2cm
The All
Latifa EchakhchThe All, 2023
200 x 150 x 3cm
Tambour '57
Latifa EchakhchTambour '57, 2012
173 x 173 x 5cm
Dérives
Latifa EchakhchDérives, 2015
200 x 150cm
Sun Set Down
Latifa EchakhchSun Set Down, 2022
200 x 150 x 5cm
The Dark Days
Latifa EchakhchThe Dark Days, 2024
206 x 156 x 3.5cm
The Dark Days
Latifa EchakhchThe Dark Days, 2024
206 x 156 x 3.5cm
Dvir Gallery
Gallery
Dvir Gallery
Tel Aviv, Brussels, Paris

Dvir Gallery was founded in 1982 by Dvir Intrator to introduce cutting-edge contemporary Israeli artists. In 1994 the gallery broadened its’ representation to include international artists such as Miroslaw Balka, Marianne Berenhaut, Douglas Gordon, Latifa Echakhch, and Lawrence Weiner in its’ program. In 2013, Dvir Gallery combined its’ 3 separate spaces into a 5-story building, the first of its’ kind in Tel Aviv. In 2016, the gallery opened its first gateway to Europe with a branch in Brussels, which strengthen and developed the existing relationship with the international artistic community. Earlier this year, on the occasion of its 40th anniversary, the gallery opened a space in Paris, in the heart of the historical Marais District, emphasizing the special ties and connection the gallery has had, since its beginnings, with the French cultural milieu, collaborating with artists, institutions and private collections. ...

Unlock Price & Inquiry Access