Details
MaterialGallery
5 fibreglass flag poles, iron basesDvir Gallery
Description
Human-crafted. AI-refined.

The artwork appears to be a photographic composition capturing the contrasting architectural elements of a modern high-rise building and a historic, ornate structure. The visual elements emphasize the striking juxtaposition of the sleek, glass-paneled skyscraper against the ornamental facade of the older building. The overall composition creates a sense of juxtaposition, with the angular, geometric shapes of the modern structure contrasting sharply with the intricate details and symmetry of the historic architecture. The distinctive techniques employed, including the use of dramatic perspective and framing, suggest the artist's intention to highlight the interplay between modernity and historical preservation within an urban landscape. ...

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Latifa Echakhch
Artist
Latifa Echakhch
B.1974, French/Moroccan

Born in 1974 in El Khnansa, Morocco. Lives and works in Switzerland. Latifa Echakhch often introduces associations with ‘cultural mementos’ that reveal a complicated relationships, where symbolic valency is subtracted, its absence suggesting an entirely new meaning and presence. Echakhch re-imagines and re-evaluates found objects and defamiliarizes the vernacular, questioning the meaning embedded in these and, in general, our own relationship and preconceptions towards such objects. Only when supposedly known objects have been emptied of their original meaning can they be read in many ways. Referencing and appropriating the archetypes, ideologies of modernism and beyond, she reflects on the often-prejudiced perception of national and religious identities in works that are both poetic and conceptual, and questions the semantics of cultural paradigms, providing instead what the artist calls “poetic transfiguration”. ...

Latifa Echakhch: Artworks
Derives 18
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Derives 18, 2011
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Entre la nuit et l’aurore (Between night and dawn), 2025
120 x 155 x 95cm
A chaque stencil une revolution, une apres l'autre
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A chaque stencil une revolution, une apres l'autre, 2009
86 x 21 x 29cm
Untitled (black clouds)
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Untitled (black clouds), 2015
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A fine rain is falling, the skin has goosebumps. Rub the arms to warm them up and then start running...
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A fine rain is falling, the skin has goosebumps. Rub the arms to warm them up and then start running again, 2019
200 x 150 x 2.5cm
Night Time (As Seen by Sim Ouch)
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Night Time (As Seen by Sim Ouch), 2022
200 x 150 x 2.6cm
Screen Shot R.M
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Screen Shot R.M, 2015
173 x 300 x 2cm
Night Time (As Seen by Sim Ouch)
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200 x 300 x 3cm
The All
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200 x 150 x 3cm
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Tambour '57, 2012
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Dérives, 2015
200 x 150cm
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Sans titre (jardin exotique), 2018
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Dvir Gallery
Gallery
Dvir Gallery
Tel Aviv, Brussels, Paris

Dvir Gallery was founded in 1982 by Dvir Intrator to introduce cutting-edge contemporary Israeli artists. In 1994 the gallery broadened its’ representation to include international artists such as Miroslaw Balka, Marianne Berenhaut, Douglas Gordon, Latifa Echakhch, and Lawrence Weiner in its’ program. In 2013, Dvir Gallery combined its’ 3 separate spaces into a 5-story building, the first of its’ kind in Tel Aviv. In 2016, the gallery opened its first gateway to Europe with a branch in Brussels, which strengthen and developed the existing relationship with the international artistic community. Earlier this year, on the occasion of its 40th anniversary, the gallery opened a space in Paris, in the heart of the historical Marais District, emphasizing the special ties and connection the gallery has had, since its beginnings, with the French cultural milieu, collaborating with artists, institutions and private collections. ...

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