Healing object (chaise fleurie)

Vidya Gastaldon

Healing object (chaise fleurie), 201984.5 x 43.5 x 41.5cmSign in to view price
Details
MaterialGallery
acrylic and varnished paint on found chairGalerie Art : Concept
Description
Human-crafted. AI-refined.

This artwork features a wooden chair with a vibrant and intricate floral pattern painted on its surface. The chair's frame is composed of bold, curved lines and angles, creating a visually striking composition. The paint colors used range from earthy browns to vibrant blues and greens, giving the piece a unique and contemporary aesthetic. The overall style and technique suggest an experimental approach to traditional furniture design, blending functional elements with artistic expression. This piece likely reflects the artist's intention to challenge conventional notions of furniture and explore the intersection of utility and artistic experimentation. ...

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Vidya Gastaldon
Artist
Vidya Gastaldon
B.1974, French

Vidya Gastaldon was born in 1974 in Besançon. She lives and works in Brénod, France. With her mystical, fantastical and extremely vivid approach to art, Vidya Gastaldon develops a sort of harmonisation of qualities both spiritual and physical. Allergic to any attempt to control and restrain her universe, she delivers a cosmic overview combining Hindi divinities, Muppet-Show characters and Christian references. Her work, reminiscent of artists such as Turner, Burchfield, Blake or Bunuel, is extremely multi faced and deals with the divine, the hallucinatory but also with everyday life. In a mixture of sacred, sensual, tongue-in-cheek and sometimes provocative creations, she manages to establish a connection between “being” and “meant to be”. She engenders new beliefs, and by means of negative and positive impulses she pushes social unconsciousness out of the way, liberating our collective thought of the predefined egregores that oblige us to keep reproducing spiritual and social patterns. ...

Vidya Gastaldon: Artworks
Attente/Éveil
Vidya Gastaldon
Attente/Éveil, 2021
21 x 29.6cm
Sentiment océanique (inquiet)
Vidya Gastaldon
Sentiment océanique (inquiet), 2021
20.7 x 29.2cm
Sentiment océanique (calme, neutre, rose)
Vidya Gastaldon
Sentiment océanique (calme, neutre, rose), 2021
20.7 x 29.2cm
Les colonnes
Vidya Gastaldon
Les colonnes, 2021
29.4 x 41.7cm
Sentiment océanique (pommettes chaudes)
Vidya Gastaldon
Sentiment océanique (pommettes chaudes), 2021
29.4 x 41.6cm
Healing object (chaise fleurie)
Vidya Gastaldon
Healing object (chaise fleurie), 2019
84.5 x 43.5 x 41.5cm
Épouvantail (autoportrait en crumbgirl)
Vidya Gastaldon
Épouvantail (autoportrait en crumbgirl), 2018
180 x 140 x 5cm
Healing painting (mediterranean cosmic snake)
Vidya Gastaldon
Healing painting (mediterranean cosmic snake), 2017
49 x 98cm
Healing painting (young parvati)
Vidya Gastaldon
Healing painting (young parvati), 2017
34 x 59cm
Le long chariot Mixcoatl
Vidya Gastaldon
Le long chariot Mixcoatl, 2014
Garden party
Vidya Gastaldon
Garden party, 2013
205 x 280cm
Let it god (Santa Table)
Vidya Gastaldon
Let it god (Santa Table), 2013
Advaita (tétraèdes)
Vidya Gastaldon
Advaita (tétraèdes), 2007
Floating Mountain 3 (Mt. Hasho)
Vidya Gastaldon
Floating Mountain 3 (Mt. Hasho), 2006
300 x 215cm
Sempervivum
Highills
Vidya Gastaldon
Highills, 2018
100 x 160cm
Océan sentimental (T)
Vidya Gastaldon
Océan sentimental (T), 2022
180 x 250cm
Galerie Art : Concept
Gallery
Galerie Art : Concept
Paris

To avoid any narcissism the gallery will not bear a name, but instead mark of the end of a century during which the Fine Arts are exhausted of unknown practices and forms, Art: Concept was born. In 1997, the gallery joined its friends in the 13th district of Paris to be part of the adventure of the brand new rue Louise Weiss. Despite unforgettable years in this district, the move to the Marais was inevitable. Today, the gallery is located in a private passage (passage Sainte Avoye) and represents artists with whom it has been working for 25 years as well as young graduates. Trying to reflect the evolution of society, the gallery emphasises its proposals in a multi-faceted reflection on individuality and collectivity in a wide range of contexts. Like Janus, it looks both to the past and the future. Today's world is so in need of reference points that it's reassuring to invent a future, thanks to artists, as well as to compare it to the past. We invite you to ask for it, we will be at the gallery, very happy to explain it to you. ...

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