Untitled (Beulah’s brooch)

Virginia Overton

Untitled (Beulah’s brooch), 20226 x 3 x 2cmSign in to view price
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MaterialGallery
Description
Human-crafted. AI-refined.

This striking abstract artwork features two prominent shapes against a stark black background. The first shape resembles a white, angular form, while the second appears as a delicate, intricate crystal-like structure. The composition is minimalist and dramatic, relying on the interplay of light and shadow to create a sense of depth and contrast. The artist's technique seems to embrace the use of negative space, allowing the viewer to focus on the sculptural qualities of the featured elements. This piece may explore themes of duality, the relationship between organic and inorganic forms, or the tension between simplicity and complexity. ...

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Virginia Overton
Artist
Virginia Overton
B.1971, American

Virginia Overton creates works that directly respond to the space they occupy through sculpture, installation, and photography. Continuously reusing and recycling materials used in her previous works, such as wood, brass, steel, glass or cedar from the artist’s family farm in Tennessee, Overton’s process is performative and reactive. She closely works with the settings of her works, be that architectural elements of a space or a natural landscape. Overton’s practice is in a refreshing and elegant dialogue with the traditionally monumental movement of land art. Combining industrial with natural elements, reinventing sculptures into paintings, and revealing inherent imperfections, Overton works with forms, textures and shapes, developing her unique sculptural language. ...

Virginia Overton: Artworks
Untitled (HILUX)
Virginia Overton
Untitled (HILUX), 2016
378.9 x 463.1 x 239.1cm
Untitled
Virginia Overton
Untitled, 2017
66 x 107 x 9.4cm
Untitled (Goldsmiths CCA sign)
Virginia Overton
Untitled (Goldsmiths CCA sign), 2022
30.5 x 243.8 x 15.2cm
Untitled (Landscape Sconce)
Virginia Overton
Untitled (Landscape Sconce), 2022
25 x 634 x 13cm
Untitled (welcome)
Virginia Overton
Untitled (welcome), 2022
209 x 253 x 73cm
Untitled (V)
Virginia Overton
Untitled (V), 2022
180 x 64cm
EACH:Untitled
Virginia Overton
EACH:Untitled, 2022
42.5 x 30.5 x 2cm
Untitled (rumination)
Virginia Overton
Untitled (rumination), 2022
128 x 116 x 76cm
Untitled
Virginia Overton
Untitled, 2015
361 x 390 x 10.5cm
Untitled (Beulah’s brooch)
Virginia Overton
Untitled (Beulah’s brooch), 2022
6 x 3 x 2cm
Untitled (diamonds and rust)
Virginia Overton
Untitled (diamonds and rust), 2022
161 x 65 x 65cm
Untitled (disco pipe)
Virginia Overton
Untitled (disco pipe), 2022
16 x 11 x 11cm
Untitled (Thales’ triangle)
Virginia Overton
Untitled (Thales’ triangle), 2022
92 x 96 x 33cm
Untitled (stance)
Virginia Overton
Untitled (stance), 2015
247 x 39 x 138cm
Untitled (Arco sculpture)
Virginia Overton
Untitled (Arco sculpture), 2021
171.5 x 66 x 137.2cm
Untitled (Arc)
Virginia Overton
Untitled (Arc), 2022
650 x 550cm
Untitled
Virginia Overton
Untitled, 2014
113 x 40 x 91cm
Untitled (triangle in blue and rust)
Virginia Overton
Untitled (triangle in blue and rust), 2022
55 x 193 x 271cm
Untitled (chime for Caro)
Virginia Overton
Untitled (chime for Caro), 2022
315 x 300 x 161cm
Untitled (sculpture on table)
Virginia Overton
Untitled (sculpture on table), 2022
119 x 114 x 114cm
Untitled (by stander)
Virginia Overton
Untitled (by stander), 2022
152 x 81 x 40cm
Untitled (stand and swing)
Virginia Overton
Untitled (stand and swing), 2022
174 x 66 x 49cm
Untitled (quad)
Virginia Overton
Untitled (quad), 2022
79 x 70 x 59cm
Untitled (good boy)
Virginia Overton
Untitled (good boy), 2022
81 x 78 x 49cm
Untitled (little guy)
Virginia Overton
Untitled (little guy), 2022
183 x 40.5 x 40cm
Untitled (1/2 and 1/2)
Virginia Overton
Untitled (1/2 and 1/2), 2022
114 x 193 x 74cm
Untitled (Juniperus virginiana)
Virginia Overton
Untitled (Juniperus virginiana), 2020
345 x 709 x 2.5cm
Galerie Francesca Pia
Gallery
Galerie Francesca Pia
Zürich

Galerie Francesca Pia was founded 1990 in Bern and from their first exhibitions forward has consistently fostered contemporary artists including Betty Woodman (1990), Peter Fischli & David Weiss (1992), Hans-Peter Feldmann (1993), Thomas Bayrle (1998), Mai-Thu Perret (2000), Wade Guyton (2004), Jutta Koether (2008) and Rochelle Feinstein (2016) et al. Today the gallery is known for the discovery and promotion of emerging artists. After 16 years in Bern, the gallery moved to a larger space in Zurich in 2007. In 2012 the gallery extended and relocated to a more generous space in the historic Löwenbrau building, where it continues to engage in an ambitious program, representing over thirty artists of different generations. ...

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