Untitled (HILUX)

Virginia Overton

Untitled (HILUX), 2016378.9 x 463.1 x 239.1cmSign in to view price
Details
MaterialGallery
toyota hilux 1996, metal strappingGalerie Francesca Pia
Description
Human-crafted. AI-refined.

This contemporary sculpture, composed of repurposed automotive parts, presents a striking visual. The work features a complex arrangement of geometric shapes, including twisted metal frames, wheels, and exposed machinery, all rendered in a predominantly muted, industrial color palette. The subject matter alludes to the deconstruction and fragmentation of a car, inviting viewers to contemplate the relationship between technology, consumerism, and the physical world. The artist's use of found objects and unconventional techniques suggests a commentary on the ephemeral nature of modern life and the cyclical process of creation and destruction. This thought-provoking piece challenges the traditional boundaries of sculpture and provides a unique perspective on the intersection of art and industrial design. ...

Similar Artworks
Love
Alex Da CorteLove, 2021
185.4 x 185.4 x 7.6cm
SNOW DRIFT
Shannon EbnerSNOW DRIFT, 2022
55.1 x 37.3 x 4.1cm
A Man's Image
Alex Da CorteA Man's Image, 2019
142.2 x 718.8 x 7.6cm
And, per se, And
Pamela as Pamela
Polyethylene Feels
Tracy in Camo
The Hearing Trumpet
Alex Da CorteThe Hearing Trumpet, 2025
223.5 x 106.7 x 15.2cm
Pebbles In The Sky
Alex Da CortePebbles In The Sky, 2020
182.9 x 182.9 x 7.6cm
Rococo Ferrari
Sara CwynarRococo Ferrari, 2024
183.5 x 129.5 x 5cm
Electronic Renaissance
Alex Da CorteElectronic Renaissance, 2021
185.4 x 185.4 x 7.6cm
Eclipse
Alex Da CorteEclipse, 2021
185.4 x 185.4 x 7.6cm
Simon’s Legs
The Jewel Thief
Alex Da CorteThe Jewel Thief, 2021
182.9 x 182.9 x 20.3cm
Habits
Studio scene
Uri AranStudio scene, 2025
94.6 x 247 x 3.8cm
Spider Stomper
Alex Da CorteSpider Stomper, 2019
146.1 x 299.7 x 11.4cm
Blank Expression
Temple of the Sun
Virginia Overton
Artist
Virginia Overton
B.1971, American

Virginia Overton creates works that directly respond to the space they occupy through sculpture, installation, and photography. Continuously reusing and recycling materials used in her previous works, such as wood, brass, steel, glass or cedar from the artist’s family farm in Tennessee, Overton’s process is performative and reactive. She closely works with the settings of her works, be that architectural elements of a space or a natural landscape. Overton’s practice is in a refreshing and elegant dialogue with the traditionally monumental movement of land art. Combining industrial with natural elements, reinventing sculptures into paintings, and revealing inherent imperfections, Overton works with forms, textures and shapes, developing her unique sculptural language. ...

Virginia Overton: Artworks
Untitled (HILUX)
Virginia OvertonUntitled (HILUX), 2016
378.9 x 463.1 x 239.1cm
Untitled
Virginia OvertonUntitled, 2017
66 x 107 x 9.4cm
Untitled (Goldsmiths CCA sign)
Untitled (Landscape Sconce)
Untitled (welcome)
Virginia OvertonUntitled (welcome), 2022
209 x 253 x 73cm
Untitled (V)
Virginia OvertonUntitled (V), 2022
180 x 64cm
EACH:Untitled
Virginia OvertonEACH:Untitled, 2022
42.5 x 30.5 x 2cm
Untitled (rumination)
Virginia OvertonUntitled (rumination), 2022
128 x 116 x 76cm
Untitled
Virginia OvertonUntitled, 2015
361 x 390 x 10.5cm
Untitled (diamonds and rust)
Untitled (disco pipe)
Untitled (stance)
Virginia OvertonUntitled (stance), 2015
247 x 39 x 138cm
Untitled (Arco sculpture)
Virginia OvertonUntitled (Arco sculpture), 2021
171.5 x 66 x 137.2cm
Untitled (Arc)
Untitled
Virginia OvertonUntitled, 2014
113 x 40 x 91cm
Untitled (chime for Caro)
Untitled (sculpture on table)
Untitled (by stander)
Untitled (stand and swing)
Untitled (quad)
Virginia OvertonUntitled (quad), 2022
79 x 70 x 59cm
Untitled (good boy)
Untitled (little guy)
Virginia OvertonUntitled (little guy), 2022
183 x 40.5 x 40cm
Untitled (1/2 and 1/2)
Untitled (Juniperus virginiana)
Galerie Francesca Pia
Gallery
Galerie Francesca Pia
Zürich

Galerie Francesca Pia was founded 1990 in Bern and from their first exhibitions forward has consistently fostered contemporary artists including Betty Woodman (1990), Peter Fischli & David Weiss (1992), Hans-Peter Feldmann (1993), Thomas Bayrle (1998), Mai-Thu Perret (2000), Wade Guyton (2004), Jutta Koether (2008) and Rochelle Feinstein (2016) et al. Today the gallery is known for the discovery and promotion of emerging artists. After 16 years in Bern, the gallery moved to a larger space in Zurich in 2007. In 2012 the gallery extended and relocated to a more generous space in the historic Löwenbrau building, where it continues to engage in an ambitious program, representing over thirty artists of different generations. ...

Unlock Price & Inquiry Access