Untitled (chime for Caro)

Virginia Overton

Untitled (chime for Caro), 2022315 x 300 x 161cmSign in to view price
Details
MaterialGallery
i-beams, miscellaneous metal and steel cable Galerie Francesca Pia
Description
Human-crafted. AI-refined.

This contemporary artwork employs a unique sculptural composition. The visual elements include a striking contrast between the warm, weathered brick wall and the stark, industrial metal frame. The frame supports an array of thin, vertical bars, creating a rhythmic and visually captivating pattern. The overall arrangement invokes a sense of tension and balance, hinting at the artist's exploration of themes such as stability, transformation, and the relationship between the natural and the constructed. The unconventional use of common materials and the emphasis on form over function suggest a conceptual approach that challenges traditional notions of sculpture. The historical context and the artist's intention behind this piece likely reflect a commentary on the evolving nature of urban spaces and the interplay between the built environment and human experience. ...

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Virginia Overton
Artist
Virginia Overton
B.1971, American

Virginia Overton creates works that directly respond to the space they occupy through sculpture, installation, and photography. Continuously reusing and recycling materials used in her previous works, such as wood, brass, steel, glass or cedar from the artist’s family farm in Tennessee, Overton’s process is performative and reactive. She closely works with the settings of her works, be that architectural elements of a space or a natural landscape. Overton’s practice is in a refreshing and elegant dialogue with the traditionally monumental movement of land art. Combining industrial with natural elements, reinventing sculptures into paintings, and revealing inherent imperfections, Overton works with forms, textures and shapes, developing her unique sculptural language. ...

Virginia Overton: Artworks
Untitled (HILUX)
Virginia OvertonUntitled (HILUX), 2016
378.9 x 463.1 x 239.1cm
Untitled
Virginia OvertonUntitled, 2017
66 x 107 x 9.4cm
Untitled (Goldsmiths CCA sign)
Untitled (Landscape Sconce)
Untitled (welcome)
Virginia OvertonUntitled (welcome), 2022
209 x 253 x 73cm
Untitled (V)
Virginia OvertonUntitled (V), 2022
180 x 64cm
EACH:Untitled
Virginia OvertonEACH:Untitled, 2022
42.5 x 30.5 x 2cm
Untitled (rumination)
Virginia OvertonUntitled (rumination), 2022
128 x 116 x 76cm
Untitled
Virginia OvertonUntitled, 2015
361 x 390 x 10.5cm
Untitled (diamonds and rust)
Untitled (disco pipe)
Untitled (stance)
Virginia OvertonUntitled (stance), 2015
247 x 39 x 138cm
Untitled (Arco sculpture)
Virginia OvertonUntitled (Arco sculpture), 2021
171.5 x 66 x 137.2cm
Untitled (Arc)
Untitled
Virginia OvertonUntitled, 2014
113 x 40 x 91cm
Untitled (chime for Caro)
Untitled (sculpture on table)
Untitled (by stander)
Untitled (stand and swing)
Untitled (quad)
Virginia OvertonUntitled (quad), 2022
79 x 70 x 59cm
Untitled (good boy)
Untitled (little guy)
Virginia OvertonUntitled (little guy), 2022
183 x 40.5 x 40cm
Untitled (1/2 and 1/2)
Untitled (Juniperus virginiana)
Galerie Francesca Pia
Gallery
Galerie Francesca Pia
Zürich

Galerie Francesca Pia was founded 1990 in Bern and from their first exhibitions forward has consistently fostered contemporary artists including Betty Woodman (1990), Peter Fischli & David Weiss (1992), Hans-Peter Feldmann (1993), Thomas Bayrle (1998), Mai-Thu Perret (2000), Wade Guyton (2004), Jutta Koether (2008) and Rochelle Feinstein (2016) et al. Today the gallery is known for the discovery and promotion of emerging artists. After 16 years in Bern, the gallery moved to a larger space in Zurich in 2007. In 2012 the gallery extended and relocated to a more generous space in the historic Löwenbrau building, where it continues to engage in an ambitious program, representing over thirty artists of different generations. ...

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