Virginia Overton
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Description
Human-crafted. AI-refined.Visual Elements: The artwork features a large, stacked structure composed of various rectangular metal forms in a dark, earthy tone, creating a striking contrast against the rugged stone wall backdrop. Subject Matter: The artwork appears to be a large-scale sculptural piece, with the metal forms arranged in an abstract, geometric composition that dominates the space. Artistic Style and Technique: The artist has employed a minimalist and industrial aesthetic, utilizing raw, unfinished materials to construct a bold, geometric sculpture that commands attention. Context: This contemporary artwork likely explores themes of materiality, balance, and the interplay between natural and man-made elements, reflecting the artist's exploration of the relationship between form, function, and environment. ...
Similar Artworks
Virginia Overton
1971 , AmericanVirginia Overton creates works that directly respond to the space they occupy through sculpture, installation, and photography. Continuously reusing and recycling materials used in her previous works, such as wood, brass, steel, glass or cedar from the artist’s family farm in Tennessee, Overton’s process is performative and reactive. She closely works with the settings of her works, be that architectural elements of a space or a natural landscape. Overton’s practice is in a refreshing and elegant dialogue with the traditionally monumental movement of land art. Combining industrial with natural elements, reinventing sculptures into paintings, and revealing inherent imperfections, Overton works with forms, textures and shapes, developing her unique sculptural language. ...
Virginia Overton: Artworks
Galerie Francesca Pia
ZürichGalerie Francesca Pia was founded 1990 in Bern and from their first exhibitions forward has consistently fostered contemporary artists including Betty Woodman (1990), Peter Fischli & David Weiss (1992), Hans-Peter Feldmann (1993), Thomas Bayrle (1998), Mai-Thu Perret (2000), Wade Guyton (2004), Jutta Koether (2008) and Rochelle Feinstein (2016) et al. Today the gallery is known for the discovery and promotion of emerging artists. After 16 years in Bern, the gallery moved to a larger space in Zurich in 2007. In 2012 the gallery extended and relocated to a more generous space in the historic Löwenbrau building, where it continues to engage in an ambitious program, representing over thirty artists of different generations. ...