Joy

Xiyadie

Joy, 1999140 x 140cmPrice on Request
Details
MaterialGalleryLocation
papercut with water-based dye and chinese pigments on xuan paperRichard Saltoun GalleryLondon
Description
Human-crafted. AI-refined.

The vibrant artwork depicts an intricate floral tapestry with a mythical creature at its center. The composition features a rich palette of colors, including vibrant pinks, greens, and yellows, which create a sense of dynamic movement and energy. The central figure, a fantastical beast with striking features, is surrounded by an abundance of stylized flowers, leaves, and other organic forms that imbue the piece with a sense of natural wonder and mysticism. The artist has employed a distinct illustrative style, utilizing bold outlines and intricate patterning to craft this visually captivating work. The artwork likely reflects the artist's exploration of folklore, symbolism, and the natural world. ...

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Music
Artist
Xiyadie
1963 , Chinese

Xiyadie is a self-taught traditional Chinese papercut artist who starting creating works with homoerotic themes to tell his narrative of transformation. Xiyadie means Siberian Butterfly, a name he chose after his move to Beijing as a migrant worker in 2005, where he found an accepting community in the burgeoning gay subcultural scene. As he relates, the Siberian Butterfly is a northern creature. Surviving in the harshest conditions, it maintains its vanity and pursuit of freedom in an environment that does not lend political agency or representation to queer-identifying people. In the late 1980s, his native Shaanxi Province was a centre for the preservation of folk arts including papercutting, which originates in the Eastern Han Dynasty (25–220 CE). Xiyadie subverts this historical form by depicting scenes of queer eroticism, where human beings are fused with nature and gay virility combines with the fertility of gardens and animal life. Due to the thinness of Chinese rice paper traditionally used for this craft, each work is made in editions, though the artist also works with materials like newspaper and silk, intricately cut and dyed by hand. ...

Xiyadie: Artworks
Boiling (A boiling pot resembles helplessness and suffering of humanity)
XiyadieBoiling (A boiling pot resembles helplessness and suffering of humanity), 2018Price on Request
Double happiness (Lovers are often together)
XiyadieDouble happiness (Lovers are often together), 2018Price on Request
Fish on a chopping board
XiyadieFish on a chopping board, 20184250 USD
Gate
XiyadieGate, 2016Price on Request
Butterfly
XiyadieButterfly, 20064250 USD
Door
XiyadieDoor, 19824250 USD
Joy
XiyadieJoy, 19824250 USD
Fish on a chopping board (Human suffering, depression and helplessness are like a beheaded fish on a...
XiyadieFish on a chopping board (Human suffering, depression and helplessness are like a beheaded fish on a chopping board, but at this very moment we are still happy), 20184250 USD
Flowerpot
XiyadieFlowerpot, 1991Price on Request
Gate
XiyadieGate, 1992Price on Request
Gate
XiyadieGate, 1999Price on Request
Joy
XiyadieJoy, 1999Price on Request
Joy
XiyadieJoy, 1999Price on Request
Joy (乐)
XiyadieJoy (乐), 19994250 USD
Joy (乐)
XiyadieJoy (乐), 19994000 USD
Joy (乐)
XiyadieJoy (乐), 20054000 USD
Joy(乐)
XiyadieJoy(乐), 19994000 USD
Joy(乐)
XiyadieJoy(乐), 19994000 USD
Sorting sweet potatoes (Dad, don’t yell, we’re in the cellar sorting sweet potatoes)
XiyadieSorting sweet potatoes (Dad, don’t yell, we’re in the cellar sorting sweet potatoes), 2019Price on Request
Sorting sweet potatos (Dad, don’t yell, we’re in the cellar sorting sweet potatoes)
XiyadieSorting sweet potatos (Dad, don’t yell, we’re in the cellar sorting sweet potatoes), 19994250 USD
Your lightbulb is fine (Such natural mutual love is part of human nature)
XiyadieYour lightbulb is fine (Such natural mutual love is part of human nature), 20184250 USD
Music
XiyadieMusic, 2016Price on Request
Richard Saltoun Gallery
Gallery
Richard Saltoun Gallery
London, Rome, New York City

Founded in 2012, Richard Saltoun Gallery specialises in contemporary art, with an emphasis on feminist, conceptual and performance artists from the 1960s onwards. It is guided by a strong focus on rediscovering the work of important yet under-recognised artists through presentations at both its locations, online exhibitions, events and participation in art fairs around the world. Since its inception, Richard Saltoun Gallery has been driven by an interest in serving a wider purpose and is now recognised for its critically and socially-engaged programme. In 2019, the gallery launched a year-long initiative titled 100% Women that aimed to address gender inequality in the art world and encourage wider industry action through debate, dialogue and collaboration. In 2021, it dedicates all exhibitions to the writings of German-born, American political philosopher Hannah Arendt in a 12-month programme On Hannah Arendt to confront some of the most perplexing socio-political issues of our time. The gallery is considered a leader in its representation of female artists, from avant-garde pioneers of the 1960s and ‘70s, such as Eleanor ANTIN, Renate BERTLMANN and Gina PANE, to a younger generation of female artists including Silvia GIAMBRONE and Florence PEAKE. It continues to support female artists through extensive research, partnerships and solo presentations at the gallery and online. Additionally, Richard Saltoun is noted for its support of pioneering artists who have pushed the conceptual and disciplinary boundaries in which they work, from LI Yuan-chia, one of the earliest proponents of abstract and conceptual art in Taiwan, to ULAY, the late photographer and performance artist, as well as British artists Victor BURGIN, Rose ENGLISH, John HILLIARD, Peter KENNARD, Bob LAW, Penny SLINGER and more. The gallery preserves the legacy of artists through its representation of artist estates, including Helen CHADWICK, David HALL, Alexis HUNTER, Bob LAW, Marinella PIRELLI, Jo SPENCE, Barbara LEVITTOUX-ŚWIDERSKA and Shelagh WAKELY, amongst others. The gallery acts as a consultant to major museums and public institutions and advises private and corporate collections. It actively documents the work of its artists through the production of publications and frequently stages talks, screenings and performances. ...