Serpent à deux têtes

Aboudia

Serpent à deux têtes, 201260 x 80cmSign in to view price
Details
MaterialGallery
collage, acrylic and pencil on canvasGalerie Cécile Fakhoury
Description
Human-crafted. AI-refined.

This vibrant contemporary artwork features a bold, expressive use of color and abstract shapes. The composition is dominated by waves of deep blue, evoking a sense of movement and fluidity. Prominent elements include a serpentine creature and the text "RUSSO THEME SERPENTARETES," which suggests a narrative or symbolic meaning. The overall style appears to be a synthesis of graffiti-inspired techniques and surrealistic imagery, conveying a sense of energy and spontaneity. The work seems to invite the viewer to interpret its underlying themes, which may relate to the artist's personal or cultural experiences. ...

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Aboudia
Artist
Aboudia
B.1983, Ivorian

Aboudia's work depicts the vitality and the unvarnished energy of a youth that gets by and manages; the smiles are a little nightmarish at times, but these broad smiles exalt their experience. This generation on the fringes of society is growing and taking on a new form. Its strength is becoming clearer as it is restructured. In each work swarms a multitude of lives, a breath of fresh air and noise, silhouettes seek their place in endlessly narrow spaces. In Aboudia's canvases the presence of yesterday's Ziguéhis can be felt to the emergence and assertion of Nouchi. The friction of words, remixed sounds and dreams of someplace else brandished in signs of identity, resistant to the test of precarious everyday conditions. His lines continually encapsulate the effervescence of a blossoming country, the subject of endless debates and demands. Abidjan is at the height of its ascension, a city of transformations. Now that it is beyond the crisis, it is attractive; a city of possibilities. Aboudia is lying in wait, he observes and buries himself in his metropolis. He closely follows any movement or changes. The living dead, zombies that are more awake than ever are illuminated in his tableaux. Between the concrete and the sand Aboudia creates a fantasy, a spontaneous festival, a thriller straight out of coastal West Africa. ...

Aboudia: Artworks
Original
Africain
Sans Titre
Sans Titre
Pink Lady
Asso #1
Sans Titre
Sans Titre
Blue trio
Au Gbaki
Gbonhi
12V33
Kpata
Africain
Asso #1
Asso #2
Asso #3
Au Gbaki
Baya
Blue trio
Bravo
CPJ
Djinzili
Gathering
Gbonhi
Go
Grigali
MCLN
Mousso
Original
PAC
Penalty
Pink Lady
RPZ
Sans Titre
Sans Titre
Sans Titre
Sans Titre
Sans titre
Sans Titre
Sans Titre
Sans Titre
Sans Titre
Sans Titre
Sans Titre
Sans Titre
Sans Titre
Sans Titre
Sans Titre
Sans Titre
Sans Titre
Sans Titre
Sans titre
The Artist
UN
Un Kid
Un Malo
Un Môgô
Untitled
Untitled
Untitled
Untitled
Untitled
Untitled
Untitled
Untitled
Untitled
Women
Year
Zôtô
Un Malo
Djinzili
18 %
Galerie Cécile Fakhoury
Gallery
Galerie Cécile Fakhoury
Abidjan, Paris, Dakar

Galerie Cecile Fakhoury opened its doors in Abidjan, Ivory Coast in September 2012. In May 2018, the gallery inaugurated its second space in Dakar, Senegal and a showroom in Paris, France. Shortly after, in March 2020, a new project space dedicated to emerging artists from Africa opened in Abidjan. In October 2021, Galerie Cecile Fakhoury inaugurated another gallery, opening in the 8th arrondissement of Paris on Avenue Matignon. The gallery promotes contemporary art from Africa and the Diaspora by providing visibility to the artistic diversity and creative spirit from the continent. Through its programming of solo and group exhibitions, participation in international art fairs, biennales, and collaboration with international galleries, Cecile Fakhoury is a leading force putting contemporary African art on the global map. The artists represented by the gallery are distinguished by their cultural identities and stories, they create a new language that crosses geographical boundaries and familiarities. They are observers of the world they live in, critics of society, and committed to their positions living within complex histories. In turn, they ask us to reconsider our own relation to the world. ...

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