This contemporary art piece features a vibrant and chaotic composition of abstract shapes and forms in a range of bold colors, primarily blue and red. The overall visual impact is one of intricate, intertwining lines and curves that create a sense of movement and energy. The subject matter appears to be a surreal, almost dreamlike depiction of faces and figures, though they are not immediately recognizable. The style and technique employed suggest a collage-like approach, utilizing found materials and mixed media to construct a visually striking and visually dense work. The artist's intention may be to explore themes of the subconscious, the fragmentation of identity, or the complexities of the human experience. ...
Aboudia's work depicts the vitality and the unvarnished energy of a youth that gets by and manages; the smiles are a little nightmarish at times, but these broad smiles exalt their experience. This generation on the fringes of society is growing and taking on a new form. Its strength is becoming clearer as it is restructured. In each work swarms a multitude of lives, a breath of fresh air and noise, silhouettes seek their place in endlessly narrow spaces.
In Aboudia's canvases the presence of yesterday's Ziguéhis can be felt to the emergence and assertion of Nouchi. The friction of words, remixed sounds and dreams of someplace else brandished in signs of identity, resistant to the test of precarious everyday conditions.
His lines continually encapsulate the effervescence of a blossoming country, the subject of endless debates and demands. Abidjan is at the height of its ascension, a city of transformations. Now that it is beyond the crisis, it is attractive; a city of possibilities. Aboudia is lying in wait, he observes and buries himself in his metropolis. He closely follows any movement or changes.
The living dead, zombies that are more awake than ever are illuminated in his tableaux. Between the concrete and the sand Aboudia creates a fantasy, a spontaneous festival, a thriller straight out of coastal West Africa. ...
