Ana Viktoria Dzinic's "Marianne (Mother)" features warm hues of red and orange that blend into each other, creating a soft, ethereal composition. The painting depicts an abstract and blurred human profile, suggesting the intimate bond between mother and child. Employing industrial printing and dyeing techniques, Dzinic's style merges painting with photographic elements, offering a commentary on image construction and subjectivity. Grounded in the artist's exploration of image economy and authenticity, the piece challenges traditional perceptions of originality and representation. ...
Ana Viktoria Dzinic is a London-based artist who investigates methods of image construction and their relationship with processes of subjectivity production. Combining photographic paintings, multi-media installations and performances, Dzinic’s work explores the way in which the modes of production and circulation of images affect the apprehension and comprehension of self. Through various strategies of display that include script-based installations mimicking the spectacle of image making, text-based protocols, or series of paintings on fabric using techniques such as industrial printing, dyeing, layering and trompe l’œil, the artist questions the validity of inherited dialectics between process hiding and process revealing, original and copy, indexical and represented, branded and authentic. Dzinic’s practice unfolds through distinct series of works, establishing each time a new aesthetic trait that reveals a different type of image economy. ...
NıCOLETTı is a London-based gallery committed to supporting the development of emerging artists. Founded in 2018 as an itinerant curatorial project, the gallery opened its first permanent space in 2019.
NıCOLETTı’s programme focuses on researching and supporting emerging artists in the realization of institutional projects and museum presentations. Many of the artists represented by the gallery have held their first UK solo exhibition at NıCOLETTı and have subsequently exhibited in prominent international institutions and biennials. The gallery presents a diverse range of conceptually-driven practices, with a particular emphasis on how aesthetics can offer new perspectives on pressing socio-political issues. ...
