This black and white photographic work features a repeating pattern of striking geometric shapes and floral elements. The composition is divided into distinct panels, with alternating bands of abstract forms and realistic depictions of lilies in a vase. The juxtaposition of the hard-edged, angular shapes and the delicate, organic floral motifs creates a visually captivating tension. The artist's use of high-contrast monochrome photography heightens the sense of drama and emphasizes the interplay of light and shadow. This work explores the relationship between the natural and the manufactured, reflecting on the complexities of modern life. ...
Ana Viktoria Dzinic is a London-based artist who investigates methods of image construction and their relationship with processes of subjectivity production. Combining photographic paintings, multi-media installations and performances, Dzinic’s work explores the way in which the modes of production and circulation of images affect the apprehension and comprehension of self. Through various strategies of display that include script-based installations mimicking the spectacle of image making, text-based protocols, or series of paintings on fabric using techniques such as industrial printing, dyeing, layering and trompe l’œil, the artist questions the validity of inherited dialectics between process hiding and process revealing, original and copy, indexical and represented, branded and authentic. Dzinic’s practice unfolds through distinct series of works, establishing each time a new aesthetic trait that reveals a different type of image economy. ...
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