Jambière et Pistolet de couture (Dumptrump)
Jambière et Pistolet de couture (Dumptrump)
Jambière et Pistolet de couture (Dumptrump)

Chalisée Naamani

Jambière et Pistolet de couture (Dumptrump), 202090 x 60cmSign in to view price
Details
MaterialGallery
printed synthetic leather, diverse found materialsCiaccia Levi
Description
Human-crafted. AI-refined.

The artwork depicts a vibrant and visually striking image of a cowboy boot. The composition features a bold blend of colors, with the dominant blue and red hues creating a dynamic and eye-catching contrast. The boot itself is adorned with intricate, whimsical designs, including floral patterns and geometric shapes, suggesting a playful and contemporary artistic style. The overall impression is one of a unique, stylized interpretation of a traditional Western motif, showcasing the artist's innovative approach to reinterpreting familiar elements through a contemporary lens. ...

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Jambière et Pistolet de couture (Dumptrump)
Artist
Chalisée Naamani
B.1995, French

In a research where painting, sculpture, popular culture, fashion and technology intersect, becoming a fertile ground for cultural intertwining and linguistic exchange, Chalisée Naamani’s works are the result of a process that combines photographic prints with polymateric assemblages in soft, irregular shapes, which in space draw gateways to rebuses and emotional tangles. The Iranian-origin French artist meditates on the political, cultural and evocative power of fashion, on its ability to pay «homage to history, and to the stories of the women and men who wear it», to quote the words of philosopher Marie-Aude Baronian. In fact, as Naamani explains, «I do not choose clothes for aesthetic reasons alone. I try to tell stories through shapes, colours and suitable accessories. I obsessively archive images taken from everyday life, screenshots and scans that I then combine to create new ones». Between the folds of sculptures that have lost their geometric rationality, centred or collapsed in on themselves, peep familiar images from the artist's personal archive, Middle Eastern iconography, trap quotations, screensaver panoramas and digital collages. Everything overlaps and interlocks, as in an eternal scrolling, giving shape to a serial imagery populated by bold baroque outcomes and a continuous practice of construction and deconstruction. Stratifications of materials and experiences —virtual and real, spiritual and physical— inextricably intertwine. ...

Chalisée Naamani: Artworks
Sacs à dos porteurs d'images
French kiss and Orientalism
Athéna
Chalisée NaamaniAthéna, 2023
100 x 140 x 37cm
Cape et gilet jaune
Chalisée NaamaniCape et gilet jaune, 2020
98 x 87 x 18cm
Sacs à dos porteurs d'images
Cape et gilet jaune
Chalisée NaamaniCape et gilet jaune, 2020
98 x 87 x 18cm
Not fake
Chalisée NaamaniNot fake, 2022
212 x 66 x 32cm
Branded and Worthy of love
French kiss and Orientalism
Keep calm and Fall in love
Athéna
Chalisée NaamaniAthéna, 2023
100 x 140 x 37cm
Our love will defeat you
Ciaccia Levi
Gallery
Ciaccia Levi
Paris

Ciaccia Levi, Paris–Milan is a contemporary art gallery founded in 2013 by Nerina Ciaccia and Antoine Levi in the Belleville district of Paris. In 2020, the gallery relocated to a new space in the Marais–Arts & Métiers area, and in 2022, expanded internationally with the opening of a second venue in Milan. From the outset, Ciaccia Levi has been committed to building a multilayered platform for visual culture, presenting the work of both emerging and established artists from around the world. The gallery focuses on thoughtful, concept-driven practices across a range of media, with a curatorial approach that values experimentation, dialogue, and long-term collaboration. Ciaccia Levi is also a co-founder of Paris Internationale, an independent art fair that champions forward-thinking galleries and artists. Through its dual presence in Paris and Milan, the gallery continues to foster cross-cultural exchange and support ambitious contemporary art practices within and beyond traditional exhibition formats. ...

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