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This contemporary artwork features a bold red heart shape against a backdrop of black and white imagery that appears to be newspaper clippings or collaged materials. The composition is visually striking, with the heart's vibrant color contrasting sharply with the muted, textured background. The artist employs a mixed media technique, combining elements of painting, collage, and drawing to create a layered, evocative work. The inclusion of the word "VENETO" and the heart shape suggest the artwork may explore themes of love, identity, or the relationship between the individual and their surroundings, reflecting the artist's intention to convey a personal or emotional statement about the human experience. ...
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In a research where painting, sculpture, popular culture, fashion and technology intersect, becoming a fertile ground for cultural intertwining and linguistic exchange, Chalisée Naamani’s works are the result of a process that combines photographic prints with polymateric assemblages in soft, irregular shapes, which in space draw gateways to rebuses and emotional tangles. The Iranian-origin French artist meditates on the political, cultural and evocative power of fashion, on its ability to pay «homage to history, and to the stories of the women and men who wear it», to quote the words of philosopher Marie-Aude Baronian. In fact, as Naamani explains, «I do not choose clothes for aesthetic reasons alone. I try to tell stories through shapes, colours and suitable accessories. I obsessively archive images taken from everyday life, screenshots and scans that I then combine to create new ones». Between the folds of sculptures that have lost their geometric rationality, centred or collapsed in on themselves, peep familiar images from the artist's personal archive, Middle Eastern iconography, trap quotations, screensaver panoramas and digital collages. Everything overlaps and interlocks, as in an eternal scrolling, giving shape to a serial imagery populated by bold baroque outcomes and a continuous practice of construction and deconstruction. Stratifications of materials and experiences —virtual and real, spiritual and physical— inextricably intertwine. ...
Ciaccia Levi, Paris–Milan is a contemporary art gallery founded in 2013 by Nerina Ciaccia and Antoine Levi in the Belleville district of Paris. In 2020, the gallery relocated to a new space in the Marais–Arts & Métiers area, and in 2022, expanded internationally with the opening of a second venue in Milan. From the outset, Ciaccia Levi has been committed to building a multilayered platform for visual culture, presenting the work of both emerging and established artists from around the world. The gallery focuses on thoughtful, concept-driven practices across a range of media, with a curatorial approach that values experimentation, dialogue, and long-term collaboration. Ciaccia Levi is also a co-founder of Paris Internationale, an independent art fair that champions forward-thinking galleries and artists. Through its dual presence in Paris and Milan, the gallery continues to foster cross-cultural exchange and support ambitious contemporary art practices within and beyond traditional exhibition formats. ...