Bluets

Anna Glantz

Bluets, 2019198.1 x 157.5cmSign in to view price
Details
MaterialGallery
oil on canvasThe approach
Description
Human-crafted. AI-refined.

The artwork features a vibrant and eclectic composition that blends various elements. The dominant colors are deep purple, accented by turquoise, yellow, and green. The central focus is a portrait of a person with striking red hair, framed within a golden border. Surrounding this portrait are playful, abstract shapes and forms, including a curious, cartoon-like figure. The overall style combines realism with surrealistic and whimsical touches, showcasing the artist's unique blend of techniques. This piece appears to offer a visually captivating exploration of individual identity and the interplay between the real and the imagined. ...

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Artist
Anna Glantz
B.1989, American

Religiously working with oil on canvas, the aesthetic elements of Anna Glantz’s paintings are contrastingly scattered, divergent, yet distinct. Contorted female figures slump at dining tables, or stand at street corners, whilst the surrounding scene contends with battling perspectives and layers of imagery. Unsurprisingly, the artist draws on a heady milieu of references such as Italian Renaissance frescoes, contemporary advertising, remnants of Pop Art, Surrealism, as well as the American Folk Art of Ammi Phillips and Zedekiah Belknap which undoubtedly contributes to the magnetic cluttering of her canvases. Remarking that a work is ready once viewers are simultaneously “pulled in as much as they push back against the painting”, Glantz’s captivating pieces disorient viewers with their candy-sweet renderings of stereotypes, inverting facets of the feminine in heightened allegorical tones. ...

Anna Glantz: Artworks
Iris
Anna GlantzIris, 2022
33.02 x 25.4cm
Now, Great Beauty
Blue
Anna GlantzBlue, 2022
213.4 x 142.2cm
Medium Horse
Family painting
V and Me
Anna GlantzV and Me, 2022
96.5 x 50.8cm
Ascending ii
Ascending
Anna GlantzAscending, 2021
35.6 x 27.9cm
Jack Pregnant
Imagined Pregnancy
Jack Lying Down
Baby Teeth
Writer
Anna GlantzWriter, 2020
193 x 228.6cm
Grown Woman
Anna GlantzGrown Woman, 2019
223.5 x 322.6cm
Soft Wax
Anna GlantzSoft Wax, 2019
152.4 x 198.1cm
Bluets
Anna GlantzBluets, 2019
198.1 x 157.5cm
Goat Head
Anna GlantzGoat Head, 2019
198.1 x 177.8cm
Syrup
Anna GlantzSyrup, 2019
198.1 x 157.5cm
Changeling
Anna GlantzChangeling, 2019
198.1 x 157.5cm
Rieger Kloss
Anna GlantzRieger Kloss, 2019
198.1 x 177.8cm
Three-Quarter Blonde
Annunciation
Young Adult
Anna GlantzYoung Adult, 2018
203.2 x 172.7cm
Weeping Angel
Amber
Hibou
Anna GlantzHibou, 2023
48.3 x 86.4cm
Young Woman
Peace
Anna GlantzPeace, 2023
147 x 122cm
A Better Life
Sun
Anna GlantzSun, 2023
30.5 x 35.6cm
Seaside
Sea
Anna GlantzSea, 2023
38.1 x 50.2cm
Sweater
Anna GlantzSweater, 2023
175.3 x 116.8cm
Foot
Anna GlantzFoot, 2023
27.9 x 33cm
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...

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