Syrup

Anna Glantz

Syrup, 2019198.1 x 157.5cmSign in to view price
Details
MaterialGallery
oil on canvasThe approach
Description
Human-crafted. AI-refined.

This surreal artwork features vibrant, bold colors and an abstract, geometric composition. The central focus is a striking, shell-like form in shades of red and pink, surrounded by a circular arrangement of golden, overlapping shapes resembling coins or discs. The overall scene has a dreamlike, symbolic quality, with elements that evoke imagery of nature, mythology, and ritual objects. The artist's distinctive style blends modernist abstraction with a fantastical, imaginative approach, inviting the viewer to ponder the deeper meaning and symbolism woven into this visually captivating work. ...

Similar Artworks
Fat Painting
Alexandra Noel
Fat Painting, 2023
15.2 x 22.9 x 1.9cm
34.044475879474845° N, -118.64673408513035 ° W
Olivia Erlanger
34.044475879474845° N, -118.64673408513035 ° W, 2021
70 x 64 x 37cm
What I Saw
Portia Zvavahera
What I Saw, 2016
199 x 332cm
Handidi Kuzviona
Portia Zvavahera
Handidi Kuzviona, 2016
238 x 140cm
February
Tina Braegger
February, 2023
32 x 26 x 4cm
A Painting as Big as a Calendar
Alexandra Noel
A Painting as Big as a Calendar, 2023
20.3 x 25.4 x 1.9cm
Tornado in the Round II
Alexandra Noel
Tornado in the Round II, 2022
6.4 x 17.8 x 1.9cm
Ida, Ida, Ida!
Olivia Erlanger
Ida, Ida, Ida!, 2020
182 x 61 x 23cm
Final Years
Patricia Fernández
Final Years, 2013
12.7 x 35.56 x 2.54cm
Scene with Caryatids
Milano Chow
Scene with Caryatids, 2023
37.5 x 29.8cm
Iron on My Mountain (Two Rubies and a Red Blood Cell)
Alexandra Noel
Iron on My Mountain (Two Rubies and a Red Blood Cell), 2023
14.6 x 7.6 x 6cm
What I See Beyond Feeling [1]
Portia Zvavahera
What I See Beyond Feeling [1], 2016
209 x 138cm
Loop
5:13 PM
Olivia Erlanger
5:13 PM, 2020
50.8 x 50.8 x 25.4cm
Perfect Copy I
Tala Madani
Perfect Copy I, 2021
99.7 x 80 x 2.5cm
Sacred Vessels
Portia Zvavahera
Sacred Vessels, 2016
269 x 200cm
Four Storefronts (Wardrobe)
Milano Chow
Four Storefronts (Wardrobe), 2023
29.8 x 47.6cm
Ernestine
When I met my first spiral
Ariana Papademetropoulos
When I met my first spiral, 2019
250 x 200cm
11:34 AM
Olivia Erlanger
11:34 AM, 2020
50.8 x 50.8 x 25.4cm
Screw Tablet
Alexandra Noel
Screw Tablet, 2025
12.7 x 17.8 x 1.9cm
Dirty numb angel boy
Tina Braegger
Dirty numb angel boy, 2023
32 x 26 x 4cm
Lifted Lounge #2 (Orange)
Tschabalala Self
Lifted Lounge #2 (Orange), 2021
88.9 x 55.9 x 162.6cm
Sun
Artist
Anna Glantz
B.1989, American

Religiously working with oil on canvas, the aesthetic elements of Anna Glantz’s paintings are contrastingly scattered, divergent, yet distinct. Contorted female figures slump at dining tables, or stand at street corners, whilst the surrounding scene contends with battling perspectives and layers of imagery. Unsurprisingly, the artist draws on a heady milieu of references such as Italian Renaissance frescoes, contemporary advertising, remnants of Pop Art, Surrealism, as well as the American Folk Art of Ammi Phillips and Zedekiah Belknap which undoubtedly contributes to the magnetic cluttering of her canvases. Remarking that a work is ready once viewers are simultaneously “pulled in as much as they push back against the painting”, Glantz’s captivating pieces disorient viewers with their candy-sweet renderings of stereotypes, inverting facets of the feminine in heightened allegorical tones. ...

Anna Glantz: Artworks
Iris
Anna Glantz
Iris, 2022
33.02 x 25.4cm
Now, Great Beauty
Anna Glantz
Now, Great Beauty, 2022
81.28 x 96.52cm
Blue
Anna Glantz
Blue, 2022
213.4 x 142.2cm
Medium Horse
Anna Glantz
Medium Horse, 2021
68.6 x 83.8cm
Large Self-Portrait Airplane
Anna Glantz
Large Self-Portrait Airplane, 2021
223.5 x 162.6cm
Family painting
Anna Glantz
Family painting, 2021
147.3 x 114.3cm
V and Me
Anna Glantz
V and Me, 2022
96.5 x 50.8cm
Ascending ii
Anna Glantz
Ascending ii, 2021
50.8 x 61cm
Ascending
Anna Glantz
Ascending, 2021
35.6 x 27.9cm
Jack Pregnant
Anna Glantz
Jack Pregnant, 2020
177.8 x 127cm
Imagined Pregnancy
Anna Glantz
Imagined Pregnancy, 2020
203.2 x 162.6cm
Jack Lying Down
Anna Glantz
Jack Lying Down, 2020
203.2 x 157.5cm
Baby Teeth
Anna Glantz
Baby Teeth, 2020
213.4 x 188cm
Writer
Anna Glantz
Writer, 2020
193 x 228.6cm
Grown Woman
Anna Glantz
Grown Woman, 2019
223.5 x 322.6cm
Soft Wax
Anna Glantz
Soft Wax, 2019
152.4 x 198.1cm
Bluets
Anna Glantz
Bluets, 2019
198.1 x 157.5cm
Goat Head
Anna Glantz
Goat Head, 2019
198.1 x 177.8cm
Saintsation (Enlarged Hand)
Anna Glantz
Saintsation (Enlarged Hand), 2019
198.1 x 157.5cm
Syrup
Anna Glantz
Syrup, 2019
198.1 x 157.5cm
Changeling
Anna Glantz
Changeling, 2019
198.1 x 157.5cm
Rieger Kloss
Anna Glantz
Rieger Kloss, 2019
198.1 x 177.8cm
Three-Quarter Blonde
Anna Glantz
Three-Quarter Blonde, 2018
177.8 x 139.7cm
Annunciation
Anna Glantz
Annunciation, 2018
203.2 x 188cm
Young Adult
Anna Glantz
Young Adult, 2018
203.2 x 172.7cm
Weeping Angel
Anna Glantz
Weeping Angel, 2018
203.2 x 172.7cm
Amber
Hibou
Anna Glantz
Hibou, 2023
48.3 x 86.4cm
Young Woman
Anna Glantz
Young Woman, 2023
31.8 x 35.6cm
Peace
Anna Glantz
Peace, 2023
147 x 122cm
A Better Life
Anna Glantz
A Better Life, 2020
147.3 x 172.7cm
Sun
Anna Glantz
Sun, 2023
30.5 x 35.6cm
Seaside
Anna Glantz
Seaside, 2023
80 x 150cm
Sea
Anna Glantz
Sea, 2023
38.1 x 50.2cm
Sweater
Anna Glantz
Sweater, 2023
175.3 x 116.8cm
Foot
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...

Unlock Price & Inquiry Access