Emaphandleni

Asemahle Ntlonti

Emaphandleni, 2022178 x 200cmSign in to view price
Details
MaterialGallery
acrylic, acrylic gel medium, paper and polypropylene threadblank projects
Description
Human-crafted. AI-refined.

This minimalist artwork features the text "DOCENT" in a simple, clean font against a stark white background. The composition is balanced and centered, with the letters evenly spaced and occupying the majority of the image. The use of a single, muted color and the lack of any additional visual elements create a sense of simplicity and directness. The style is reminiscent of conceptual art, where the words themselves become the primary subject and focal point. The artist's intention may be to prompt contemplation on the role of the docent, or museum guide, in presenting and interpreting art for the viewer. ...

Similar Artworks
Peptides
Sophia Al MariaPeptides, 2017
24 x 42cm
White Man's Bible (Revenge Porn)
Bloom (Secrets, Unknown)
Rape Gaze
Sophia Al MariaRape Gaze, 2014
198 x 320 x 4cm
Ida, Ida, Ida!
Olivia ErlangerIda, Ida, Ida!, 2020
182 x 61 x 23cm
Untitled (BCE)
Untitled
Lungiswa GquntaUntitled, 2016
200 x 100cm
Bloom (A Love Letter)
Izintaba
Buhlebezwe SiwaniIzintaba, 2023
140 x 140cm
Sunset Complexion
Bloom (Heritage)
6:13 AM
Olivia Erlanger6:13 AM, 2022
57.8 x 52.1 x 23.5cm
Battle
Sophia Al MariaBattle, 2017
24 x 42cm
Bloom (Rumori Bianchi)
11:34 AM
Olivia Erlanger11:34 AM, 2020
50.8 x 50.8 x 25.4cm
Death in Nathan Road
Bloom (Luck, Changes)
DIVIDER
Lungiswa GquntaDIVIDER, 2016
210 x 700 x 340cm
Sad Leaders Power Play
Wishing Well VI
Izintaba
Buhlebezwe SiwaniIzintaba, 2023
160 x 200cm
Izintaba
Buhlebezwe SiwaniIzintaba, 2023
160 x 200cm
The odds must be crazy
Empty rooms
Wyndcliffe
Olivia ErlangerWyndcliffe, 2020
106.7 x 106.7 x 106.7cm
Dolphin Sculpture
Asemahle Ntlonti
Artist
Asemahle Ntlonti
B.1993, South African

Asemahle Ntlonti’s approach to painting is expressed through the layering of paint, paper and thread stitching on canvas. Working on the floor to immerse her body in the process, she gradually builds up her works by intuitively applying and stripping away material. Ntlonti draws inspiration from the textures and hues that characterise the vernacular architecture of her ancestral homeland in the Eastern Cape of South Africa and recently the works have been informed by the artist’s encounters with the ruins of her mother’s homestead and its interior surfaces. Resembling topographical charts or maps, the walls of painted colour veined with mud-filled cracks conjure landscapes imbued with nostalgia and longing.Ntlonti’s process refers to the acts of digging / excavating and mending / repairing to speak about the scars of intergenerational traumas caused by the effects of economic subjugation and displacement of black people under colonialism and apartheid; with particular reference to the cultural alienation and loss of knowledges embedded within precolonial tradition and spirituality. Seeking to locate her identity in relation to the land and community from which she and her family have been estranged, Ntlonti’s practice is centred around her ongoing research of isiXhosa heritage and an inquiry into her ancestry. ...

Asemahle Ntlonti: Artworks
Emaphandleni
Asemahle NtlontiEmaphandleni, 2022
178 x 200cm
uHambo Lwam
Asemahle NtlontiuHambo Lwam, 2023
144 x 134cm
Empumalanga
Asemahle NtlontiEmpumalanga, 2023
135 x 142.5cm
Dotata
Asemahle NtlontiDotata, 2023
160 x 140cm
Isikhumbuzo selizwe
Asemahle NtlontiIsikhumbuzo selizwe, 2023
144 x 138 x 4.5cm
Ixhegwazana
Asemahle NtlontiIxhegwazana, 2024
142 x 133 x 6cm
iSiqithi I
Asemahle NtlontiiSiqithi I, 2025
193 x 144.5 x 5cm
Eluhlangeni I
Asemahle NtlontiEluhlangeni I, 2025
193 x 143.5 x 5cm
Mbotyi (II)
Asemahle NtlontiMbotyi (II), 2025
54 x 49 x 5cm
blank projects
Gallery
blank projects
Cape Town

Based in a 360 sqm gallery in Woodstock, Cape Town, blank was founded by Jonathan Garnham as a project space in 2005 and transitioned into a commercial gallery during 2012. The gallery represents emerging and increasingly established artists from the region in a critically engaged programme that emphasises contemporaneity, with a focus on concept and abstraction in the African context. With an exhibition programme that has a reputation for shaping the discourse around contemporary art in South(ern) Africa, and participation in prominent local and international art fairs, we seek to place our artists' work in a wide range of private and institutional collections. In addition, blank continues to promote the visual arts in our community through ongoing projects that support the sector. ...

Unlock Price & Inquiry Access