This series of three abstract paintings showcases the artist's bold use of colors and dynamic shapes. The compositions feature a captivating interplay of geometric forms, evoking the mechanical and industrial world. The muted tones of greens, grays, and oranges create a sense of depth and movement, suggesting the inner workings of complex machinery. The artist's distinctive style, which combines surrealistic elements with a modernist aesthetic, invites the viewer to explore the relationship between technology, form, and function. The historical context suggests an exploration of the human experience within an increasingly mechanized society. ...
Carolina Fusilier (b.1985, Buenos Aires) lives and works in Oaxaca. Through painting, film and installation she explores post-human imaginaries, investigating intersections between organic and mechanical bodies, between industrial and domestic scenarios. Her work emphasizes the displacement of anthropogenic perspectives into non-human sensibilities, speculating on the potential of artifacts and technologies with which we are enmeshed, yet whose nature remains uncertain.
Fusilier has appeared in solo and group exhibitions at Jumex Museum in Mexico City, MX; Mendes Wood DM in Sao Paulo, BR; Locust Projects in Miami, USA; Natalia Hug Gallery in Cologne, DE; La Fábrica in Buenos Aires, ARG; The Drawing Center in New York, USA; The Sculpture Center in New York, USA; and Centro Cultural Tlatelolco, Mexico City, MX; among others. She was a recipient of several grants and awards including the Pollock-Krasner Foundation Fellowship and the Jumex Foundation scholarship. With her film projects, she has participated in international festivals such as IDFA in Amsterdam, NL and Doc-Fortnight at MoMA in New York, US. Her most recent short film Corrientes Mercuriales (2023) had its world premiere at NYFF, New York, US; and won a special mention for best Argentine short film at the Mar del Plata International Film Festival; Mar del Plata, AR. ...
