Remover
Remover
Remover

Cudelice Brazelton Iv

Remover, 2023121.9 x 167.6 x 101.6cmSign in to view price
Details
MaterialGallery
acrylic, polyester felt, wood, hair clipperGaleria Wschód
Description
Human-crafted. AI-refined.

The artwork features a minimalist composition with contrasting textures and materials. The main elements are a red striped band against a beige, fuzzy surface, punctuated by a small, metallic clip. The interplay of the soft, organic fabric and the rigid, industrial clip creates a visually compelling juxtaposition. The artist's use of simple, familiar objects and materials suggests a focus on the inherent qualities and relationships between the elements, inviting the viewer to consider the subtle nuances of form, color, and texture. The artwork's restrained aesthetic and everyday subject matter reflect the influence of Minimalist and conceptual art movements. ...

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Cudelice Brazelton Iv
Artist
Cudelice Brazelton Iv
B.1991, US

Cudelice Brazelton IV (b. 1991) was born in Dallas and now lives and works in Frankfurt. The relationship between cosmetic imagery and hardware lies at the forefront of Brazelton’s art. It is echoed through his techniques of tearing, reconstructing, piercing, and piecing together. “Images are collected from barbershop window posters, urban life, and magazines, transferred onto denim to be burned into the surface with the use of soldering irons. The figures and shapes in these drawings are peeling from the surface, revealing another layer underneath or exposing the wall beneath in a gestural exploration of a temporary mark” (Brazelton). His gestures and devices often mimic ways in which one would cut their hair or assemble their outfit. Thus, while no figure is depicted there is still a feeling of a human presence: an identity. This identity refuses to be confined but comes back in various subcultural signifiers that Brazelton plays with. Brazelton’s contrasting use of industrial materials with hair products stems from his personal experiences. His mother had a hair salon where he spent much of his childhood. He also worked in steel foundries in Columbus Ohio. “He is fascinated with the similarities and differences between the two spaces of the hair salon and steel foundry in order to combine popular culture with the act of industrial labor. The work demonstrates an interest in the skills and processes needed in these two fields; resulting in combinations that obscure figuration and lean toward abstraction. The gentle touching and movement of the head is a contrast to the reserved body language within general labor and steel working facilities. Both utilize special tools that are used for modification. The work is further activated through the use of sound. The notion of the cut is expanded to reflect a history of assemblage, the remix, and surgical procedures with artisanal tools as they respond to the recorded audio. The radio, the outdoors, websites, and the exhibition space all serve as a potential satellite that can reach a broader audience who tunes in” (Brazelton). Materiality is essential in Brazelton’s practice. He works with industrial materials reminiscent of his own US reality but also focuses on materials common to everyone, such as skin. It is evident that skin is a heavily-charged signifier that can dictate social relations. This material is often literally zoomed in on, becoming a prominent point of his examination. Moreover, the artist's gestures of scratching, rubbing, and scarifying reference skin abrasion. The creases and scrapings seen on Brazelton’s pieces can be read as allusions to people scratching and picking at their bodies as well as engaging in cosmetic rituals in the name of self-expression. The markings, like tattoos, have at once very specific meanings only familiar to members of the same group, as well as show a universal human desire to communicate one’s difference. ...

Cudelice Brazelton Iv: Artworks
Auto Picture
Cudelice Brazelton Iv
Auto Picture, 2022
146 x 140cm
Scuffed
Cudelice Brazelton Iv
Scuffed, 2023
213.4 x 132.1cm
Remover
Cudelice Brazelton Iv
Remover, 2023
121.9 x 167.6 x 101.6cm
Stride
Galeria Wschód
Gallery
Galeria Wschód
Warsaw, New York City, Köln

Wschód /vshood/ translates to sunrise, new beginning. It also refers to geographical east. Wschód is a contemporary art gallery founded in 2017 in Warsaw by curator and critic Piotr Drewko. The gallery represents international artists working across a wide spectrum of practices including video, sculpture, installation, painting. Apart from the exhibition program the gallery initiates a wide range of cultural activities – publication, institutional projects, podcasts in collaboration with artists, curators, critics. In 2018, Wschód initiated a gallery exchange program Friend of a Friend. In 2022 the gallery conceived a time-shared exhibition space ECHO in Cologne. Starting from the Fall of 2023, Wschód has expanded to New York with a yearly curated program of exhibitions and video / film projects. ...

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