Le port de Jaffa
Details
MaterialGallery
oil on canvasJousse Entreprise
Description
Human-crafted. AI-refined.

The artwork features a vibrant color palette, with shades of blue and purple dominating the canvas. The composition is simple yet captivating, with two reclined figures taking up the majority of the space. The figures are rendered in a stylized, almost abstracted manner, with their bodies and limbs blending together, creating a sense of fluidity and intimacy. The artist's use of gestural brushstrokes and a bold, expressive style suggests a modern, avant-garde approach. The overall mood is introspective and reflective, inviting the viewer to engage with the artwork's themes of human connection and sensuality. ...

Similar Artworks
Untitled
Maria Returns to Nativity, Tchaubo Land
Cassi Namoda
Maria Returns to Nativity, Tchaubo Land, 2020
121.92 x 167.64cm
TBT
Bunny Rogers
TBT, 2024
29 x 59 x 8cm
Bira
My Body Is Propagated Like Flower, Even by Your Handwriting
Hoda Kashiha
My Body Is Propagated Like Flower, Even by Your Handwriting, 2022
150 x 120cm
Sticky, Bright Light
Veronika Pausova
Sticky, Bright Light, 2024
127 x 104.1 x 3.5cm
Self-Portrait as clone of Jeanne d’Arc
Bunny Rogers
Self-Portrait as clone of Jeanne d’Arc, 2014
36 x 31 x 3cm
Untitled
Bunny Rogers
Untitled, 2021
220.3 x 173.3 x 7.5cm
Back Bend 2
Hayv Kahraman
Back Bend 2, 2020
121.9 x 147.3cm
Medicine man
Kudzanai-Violet Hwami
Medicine man, 2019
120 x 120cm
Erasing the World
Hoda Kashiha
Erasing the World, 2021
120 x 150cm
Speaking in tongues
Kudzanai-Violet Hwami
Speaking in tongues, 2019
18 x 30 x 30cm
LAUGH TRACK, OR WHO’S THAT PEEKING IN MY WINDOW
Sable Elyse Smith
LAUGH TRACK, OR WHO’S THAT PEEKING IN MY WINDOW, 2021
Waves/Pain/Tingling/Pleasure/Heaviness/Heat
Sara Naim
Waves/Pain/Tingling/Pleasure/Heaviness/Heat, 2019
151.4 x 63.8cm
Sphinx 8
Bunny Rogers
Sphinx 8, 2023
32.5 x 43 x 3cm
Sans titre (jardin exotique)
Latifa Echakhch
Sans titre (jardin exotique), 2018
200 x 150cm
Organic Landscape #2
Marie-Claire Messouma Manlanbien
Organic Landscape #2, 2024
250 x 120cm
Rainbow Trouts
Jeanette Mundt
Rainbow Trouts, 2024
66 x 92 x 3cm
Le poids du monde 37
Etel Adnan
Le poids du monde 37, 2019
33 x 24cm
Bird Sings from Orange which is About Majesty
Hoda Kashiha
Bird Sings from Orange which is About Majesty, 2019
180 x 160 x 5cm
Nathanaelle Herbelin
Artist
Nathanaelle Herbelin
B.1989, French Israeli

Painted on wooden boards, Nathanaëlle mixes a range of turpentine, linseed and vegetable oils with her paint, which she likens to the slow geology of the desert. Herbelin commemorates this geology in her paintings: in some, the surfaces look puckered and dry, as if the paintings themselves have endured a pelting from a sand storm. Others are wet from layers of rabbit skin glue and a natural primer, which, like the desert sand, is high in calcium. This emulates the effect rare rainfall has on desert soil when the water sinks into the sand before slowly evaporating to form a calcium called caliche. You’ll notice small bubbles and divots that resemble the textures of the desert rock which she’d perch on as she painted. Her washy oil paints blend and merge; sometimes the brush marks are visible over eroded down blisters on the surface, which she degrades using coarse scraps of sandpaper. Often the abrasions she makes will be vehemently scratched at, out of anger towards the needless constructions being built. The Egypt–Israel border, instigated by the outgoing Israeli hardline Prime Minister Benjamin Netanyahu in 2011, is one she plans to paint soon. Painting for Herbelin is like writing a diary – attempts to portray what can’t exactly be seen on camera or write in words. She paints what she sees, as they are, as they feel, as uncomfortable as the truth so often is. ...

Nathanaelle Herbelin: Artworks
Jousse Entreprise
Gallery
Jousse Entreprise
Paris

Unlock Price & Inquiry Access