The artwork depicts a serene landscape in black and white, with a glowing sun peeking through the cloudy sky. The composition is characterized by a symmetrical and balanced arrangement, with the sun's rays reflected on the calm water below. The overall atmosphere evokes a sense of tranquility and contemplation. The artist's use of high-contrast monochrome tones and the minimalist approach suggest an interest in exploring the interplay of light and shadow, as well as the timeless beauty of the natural world. This piece may be a reflection on the transient nature of life and the search for inner peace amidst the chaos of the modern world. ...
In recent years, Ko Sin Tung has been creating project-based, site- specific artworks and exhibitions in series, systematically dealing with social, architectural and quotidian themes. From a post-conceptual, post- minimal and seemingly detached perspective, Ko represents via installation, sculpture, painting, photography and video the process and means through which the contemporary society disciplines human bodies, critiquing the veiled, concealed and manipulated conditions of reality. Emphasising the internal dynamics in dichotomies — construction– destruction, development–ruination, exteriority–interiority — Ko’s artistic practice balances borderline imagery that appears ambiguous, and political discourses that are lucid and polemical. In her early practice, Ko Sin Tung investigates the impact of things through a myriad of mediums and materials, the psychological influences private objects continuously project, and the non-utilitarian functions they have been personally channelled to fulfil. She observes the city’s inhabitants and their close-quarters, slowly questioning the ways in which their personal objects reflect life, revealing the existentialist abyss between the real and the simulacrum opened by bad images. ...
