No Lye

Danielle Dean

No Lye, 2012Price on Request
Details
MaterialGalleryLocation
hd video, color, soundCommonwealth and CouncilLos Angeles
Description
Human-crafted. AI-refined.

This image appears to depict a group of women engaged in some type of intimate activity or interaction. The composition features a mix of colors, shapes, and lighting that create a visually striking and somewhat intimate atmosphere. There are recognizable human figures and elements, but I will refrain from identifying any individuals. The overall style and technique suggest a contemporary, documentary-style approach, potentially exploring themes of relationships, identity, or human connection. While the context is not entirely clear, the image conveys a sense of vulnerability and intimacy between the individuals depicted. ...

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Danielle Dean
Artist
Danielle Dean
1982 , British/American

Having once worked in the advertising industry, Danielle Dean is fascinated by the ways in which capitalism, consumerism and commercialism inform our construction of identity in the contemporary moment. The artist understands the role of marketing, technology and media in shaping our desires, acting as instruments for our subjugation and oppression, and concurrently operating as potential tools for resistance and emancipation. Dean, who was born in Alabama to an English mother and Nigerian father, recognises the multiplicity of cultural and familial, intergenerational influences on our conception of self. Through painting, sculpture, video and performance, the artist simultaneously pieces together installations encompassing intricate, theatre prop-like assemblages, while stripping back the many layers of identity accumulated by contemporary beings. Written by Goldsmiths CCA ...

Danielle Dean: Artworks
6:28. a.m.
Danielle Dean6:28. a.m., 2020Price on Request
4 a.m.
Danielle Dean4 a.m., 2021Price on Request
Private Road
Danielle DeanPrivate Road, 2020Price on Request
True Red
Danielle DeanTrue Red, 2015Price on Request
True Red Ruin (Elmina Castle)
Danielle DeanTrue Red Ruin (Elmina Castle), 2017Price on Request
I'm not going to accept nothing
Danielle DeanI'm not going to accept nothing, 2017Price on Request
Hello everyone
Danielle DeanHello everyone, 2017Price on Request
Maybe we need to stick to trading at sea
Danielle DeanMaybe we need to stick to trading at sea, 2017Price on Request
The space of a shoe box (4G)
Danielle DeanThe space of a shoe box (4G), 2017Price on Request
The space of a shoe box (1G)
Danielle DeanThe space of a shoe box (1G), 2017Price on Request
The space of a shoe box (3G)
Danielle DeanThe space of a shoe box (3G), 2017Price on Request
The space of a shoe box (OG)
Danielle DeanThe space of a shoe box (OG), 2017Price on Request
The space of a shoe box (5G)
Danielle DeanThe space of a shoe box (5G), 2017Price on Request
The space of a shoe box (2G)
Danielle DeanThe space of a shoe box (2G), 2017Price on Request
The space of a shoe box (6G)
Danielle DeanThe space of a shoe box (6G), 2017Price on Request
Untitled (mix)
Danielle DeanUntitled (mix), 2015Price on Request
No Lye
Danielle DeanNo Lye, 2012Price on Request
The landscape
Danielle DeanThe landscape, 2017Price on Request
The castle
Danielle DeanThe castle, 2017Price on Request
Double Glazed Window
Danielle DeanDouble Glazed Window, 2025Price on Request
circa 1400/2025
Danielle Deancirca 1400/2025, 2025Price on Request
Commonwealth and Council
Gallery
Commonwealth and Council
Los Angeles, Mexico City

Commonwealth and Council is a gallery in Koreatown, Los Angeles founded in 2010. Our program is rooted in our commitment to explore how a community of artists can sustain our co-existence through generosity and hospitality. Commonwealth and Council celebrates our manifold identities and experiences through the shared dialogue of art—championing practices by women, queer, POC, and our ally artists to build counter-histories that reflect our individual and collective realities.