This contemporary artwork features a grid-like composition with nine rectangular frames. The predominant colors are shades of red, pink, and grey, creating a visually striking pattern. The use of pixelated, mosaic-like textures within the frames suggests a digital or technological influence. The overall effect is one of fragmentation and deconstruction, inviting the viewer to contemplate the relationship between the individual elements and the whole. The artist's intention seems to explore themes of digital media, perception, and the boundaries between art and technology. ...
Having once worked in the advertising industry, Danielle Dean is fascinated by the ways in which capitalism, consumerism and commercialism inform our construction of identity in the contemporary moment. The artist understands the role of marketing, technology and media in shaping our desires, acting as instruments for our subjugation and oppression, and concurrently operating as potential tools for resistance and emancipation. Dean, who was born in Alabama to an English mother and Nigerian father, recognises the multiplicity of cultural and familial, intergenerational influences on our conception of self. Through painting, sculpture, video and performance, the artist simultaneously pieces together installations encompassing intricate, theatre prop-like assemblages, while stripping back the many layers of identity accumulated by contemporary beings.
Written by Goldsmiths CCA ...
Commonwealth and Council is a gallery in Koreatown, Los Angeles founded in 2010. Our program is rooted in our commitment to explore how a community of artists can sustain our co-existence through generosity and hospitality. Commonwealth and Council celebrates our manifold identities and experiences through the shared dialogue of art—championing practices by women, queer, POC, and our ally artists to build counter-histories that reflect our individual and collective realities. ...
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