San Vitale, Ravenna, marble floor reconstruction
San Vitale, Ravenna, marble floor reconstruction
San Vitale, Ravenna, marble floor reconstruction

Gala Porras-Kim

San Vitale, Ravenna, marble floor reconstruction, 2024183 x 183cmSign in to view price
Details
MaterialGallery
colored pencil on paper, sapele frameCommonwealth and Council
Description
Human-crafted. AI-refined.

This vibrant contemporary artwork features a kaleidoscopic composition of intricate geometric patterns and shapes. The canvas is dominated by a large circular motif, divided into segments filled with a diverse array of repeating patterns, including diamonds, dots, and zigzags in a harmonious color palette of muted tones. The overall effect is visually captivating, with a sense of movement and energy. The artist's distinctive style blends traditional mosaic techniques with a modern, abstract sensibility, inviting the viewer to explore the intricate details and discover the hidden symbolism within this captivating piece. ...

Similar Artworks
FIXED LOOPS II
FIXED LOOPS III
circa 1400/2025
HXSTXRICAL RECORD
Nikita GaleHXSTXRICAL RECORD, 2022
35 x 47.25 x 53.5cm
Untitled
Joanna PiotrowskaUntitled, 2022
130 x 160cm
Greens Feeder
Untitled
Joanna PiotrowskaUntitled , 2019
95 x 120cm
Untitled
Joanna PiotrowskaUntitled, 2017
95 x 120cm
FROWST XXXII
Joanna PiotrowskaFROWST XXXII, 2013
70 x 90cm
Rope
Joanna PiotrowskaRope, 2019
73 x 58cm
Dolphin Sculpture
MOLOSSIAN HOUNDS
La Âtika
Meriem BennaniLa Âtika, 2020
45.4 x 43.5 x 10.8cm
Damn Knot Anus/Nudo represa ano
Stimulated markings
FIXED LOOPS VI
manifestation
5:43 a.m
Danielle Dean5:43 a.m, 2023
117 x 203cm
Gala Porras-Kim
Artist
Gala Porras-Kim
B.1984, Colombian

Gala Porras-Kim's practice interrogates the processes and ethics of museum conservation and, more broadly, the collections and institutions within which contested artefacts are housed and preserved. Porras-Kim is interested in the politics and policies museums adopt in the contemporary moment and how they negotiate with problematic pasts. The artist often uses letters as exhibition captions – sometimes written to institutions propositions for approaches to improve the conditions of their artefacts – creating an epistolary narrative to guide visitors through the space and her works. She also uncovers and proposes innovative tactics through which artefacts can be liberated and escape from museum vitrines, archives and storage facilities; exiting through cremation, being eaten by mould and running within the stomach of spores, and fleeing as particles or fragments, detritus collected following an exhibition deinstall. The outcomes of Porras-Kim’s research, made in response to museum collections, are realised in a range of media, from sculptures and sound works to large-scale drawings. ...

Commonwealth and Council
Gallery
Commonwealth and Council
Los Angeles, Mexico City

Commonwealth and Council is a gallery in Koreatown, Los Angeles founded in 2010. Our program is rooted in our commitment to explore how a community of artists can sustain our co-existence through generosity and hospitality. Commonwealth and Council celebrates our manifold identities and experiences through the shared dialogue of art—championing practices by women, queer, POC, and our ally artists to build counter-histories that reflect our individual and collective realities. ...