Joined decouple
Details
MaterialGallery
unglazed ceramic, linen, mahoganyCommonwealth and Council
Description
Human-crafted. AI-refined.

This sculptural work employs a minimalist aesthetic, featuring a group of simplified human figures molded from a warm, earthy clay material. The figures are arranged in a cohesive, almost synchronized manner, evoking a sense of unity and community. The overall composition, with its clean lines and repetitive forms, creates a visually striking and thought-provoking piece. The artist's intention may have been to explore themes of belonging, collective identity, or the human experience, inviting the viewer to ponder the interplay between individuality and the collective. ...

Similar Artworks
Neighborhood Goggles
manifestation
Windy
Meriem BennaniWindy, 2022
243.8 x 152.4 x 152.4cm
manifestation
surge (poetics of flight)
Sidewalk Stream Column 2
Meriem BennaniSidewalk Stream Column 2, 2021
198.8 x 105.4 x 16.5cm
Winston w Raibi
Meriem BennaniWinston w Raibi, 2017
137.16 x 202.56cm
Zidni Fast Food & Pizza
Egyptolingus on the beach
(untitled) surge
Sidi Kaouki
Meriem BennaniSidi Kaouki, 2022
79.5 x 141.5cm
La Âtika
Meriem BennaniLa Âtika, 2020
45.4 x 43.5 x 10.8cm
Untitled
Joanna PiotrowskaUntitled , 2019
95 x 120cm
That Water Drop
HXSTXRICAL RECORD
Nikita GaleHXSTXRICAL RECORD, 2022
35 x 47.25 x 53.5cm
Portrait of Amal on the CAPS
(untitled) catalyst
Oscar Murillo(untitled) catalyst, 2018
260.05 x 254.97 x 3.5cm
FIXED LOOPS II
(untitled) news
Dolphin Sculpture
5:43 a.m
Danielle Dean5:43 a.m, 2023
117 x 203cm
Gala Porras-Kim
Artist
Gala Porras-Kim
B.1984, Colombian

Gala Porras-Kim's practice interrogates the processes and ethics of museum conservation and, more broadly, the collections and institutions within which contested artefacts are housed and preserved. Porras-Kim is interested in the politics and policies museums adopt in the contemporary moment and how they negotiate with problematic pasts. The artist often uses letters as exhibition captions – sometimes written to institutions propositions for approaches to improve the conditions of their artefacts – creating an epistolary narrative to guide visitors through the space and her works. She also uncovers and proposes innovative tactics through which artefacts can be liberated and escape from museum vitrines, archives and storage facilities; exiting through cremation, being eaten by mould and running within the stomach of spores, and fleeing as particles or fragments, detritus collected following an exhibition deinstall. The outcomes of Porras-Kim’s research, made in response to museum collections, are realised in a range of media, from sculptures and sound works to large-scale drawings. ...

Commonwealth and Council
Gallery
Commonwealth and Council
Los Angeles, Mexico City

Commonwealth and Council is a gallery in Koreatown, Los Angeles founded in 2010. Our program is rooted in our commitment to explore how a community of artists can sustain our co-existence through generosity and hospitality. Commonwealth and Council celebrates our manifold identities and experiences through the shared dialogue of art—championing practices by women, queer, POC, and our ally artists to build counter-histories that reflect our individual and collective realities. ...