202 ivory objects at Carnegie Museum of Art or at Carnegie Museum of Natural History

Gala Porras-Kim

202 ivory objects at Carnegie Museum of Art or at Carnegie Museum of Natural History, 2025126 x 248cmSign in to view price
Details
MaterialGallery
graphite on paperCommonwealth and Council
Description
Human-crafted. AI-refined.

The artwork by Gala Porras-Kim features a studied arrangement of ivory objects, meticulously drawn against a muted backdrop of soft yellows and creams. The composition is organized in tiers, highlighting the intricate detailing of each artifact, such as fans, figures, and decorative pieces. Porras-Kim’s style is methodical, merging the precision of historical documentation with artistic expression. This piece challenges museum practices and ethics by visually unpacking the complex histories and politics of object curation and conservation. It forms part of Porras-Kim's broader critique of how museums handle artifacts with problematic pasts. ...

Similar Artworks
surge (poetics of flight)
La Âtika
Meriem BennaniLa Âtika, 2020
45.4 x 43.5 x 10.8cm
FROWST XXXII
Joanna PiotrowskaFROWST XXXII, 2013
70 x 90cm
Sidi Kaouki
Meriem BennaniSidi Kaouki, 2022
79.5 x 141.5cm
Seated scrape
Carmen ArgoteSeated scrape, 2024
177 x 122 x 3cm
Egyptolingus on the beach
Portrait of Amal on the CAPS
Dammed Landscape (Dyptych)
FIXED LOOPS II
manifestation
Seated breath
Carmen ArgoteSeated breath, 2024
177 x 121 x 3cm
5:43 a.m
Danielle Dean5:43 a.m, 2023
117 x 203cm
Aural fixations
(untitled) surge
FIXED LOOPS III
(untitled) surge
Dolphin Sculpture
Zelda Landscape: night
circa 1400/2025
Zidni Fast Food & Pizza
HXSTXRICAL RECORD
Nikita GaleHXSTXRICAL RECORD, 2022
35 x 47.25 x 53.5cm
Gala Porras-Kim
Artist
Gala Porras-Kim
B.1984, Colombian

Gala Porras-Kim's practice interrogates the processes and ethics of museum conservation and, more broadly, the collections and institutions within which contested artefacts are housed and preserved. Porras-Kim is interested in the politics and policies museums adopt in the contemporary moment and how they negotiate with problematic pasts. The artist often uses letters as exhibition captions – sometimes written to institutions propositions for approaches to improve the conditions of their artefacts – creating an epistolary narrative to guide visitors through the space and her works. She also uncovers and proposes innovative tactics through which artefacts can be liberated and escape from museum vitrines, archives and storage facilities; exiting through cremation, being eaten by mould and running within the stomach of spores, and fleeing as particles or fragments, detritus collected following an exhibition deinstall. The outcomes of Porras-Kim’s research, made in response to museum collections, are realised in a range of media, from sculptures and sound works to large-scale drawings. ...

Commonwealth and Council
Gallery
Commonwealth and Council
Los Angeles, Mexico City

Commonwealth and Council is a gallery in Koreatown, Los Angeles founded in 2010. Our program is rooted in our commitment to explore how a community of artists can sustain our co-existence through generosity and hospitality. Commonwealth and Council celebrates our manifold identities and experiences through the shared dialogue of art—championing practices by women, queer, POC, and our ally artists to build counter-histories that reflect our individual and collective realities. ...