Red Chair

Gina Fischli

Red Chair, 2020120 x 100cmSign in to view price
Details
MaterialGallery
glitter, glue, plywoodChapter NY
Description
Human-crafted. AI-refined.

This artwork depicts a large, red armchair with prominent features and a distinct visual style. The piece utilizes bold, vibrant colors, primarily deep reds and oranges, which create a striking and attention-grabbing composition. The chair's shape is exaggerated, with rounded, bulbous armrests and a high, curved back, giving it an almost surreal or fantastical quality. The surface of the chair appears to be textured, with a decorative pattern or stitching that adds a layer of visual interest. The overall style of the piece suggests a playful, almost whimsical approach to the representation of a familiar object, reflecting the artist's unique interpretation and creative vision. ...

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Gina Fischli
Artist
Gina Fischli
B.1989, Swiss

Gina Fischli’s practice is characterised by the playful employment of a multitude of different media, including glitter and denim, to explore notions of fantasy, food, materiality and consumption in contemporary society. Cleverly upending notions of scale, fake and real, Fischli sculpts castle-shaped cakes – complete with fondant-like turrets and windows – from polymer clay, as well as large portraits on plywood bejewelled with glitter that depict cocktail glasses and Diet Coke cans. Fischli’s castle cakes are often named after real British and German medieval or neo-Gothic castles, monumental and supposedly haunted buildings, humorously rendered by the artist in saccharine, sugar-frosted technicolour. Written by Goldsmiths CCA ...

Gina Fischli: Artworks
Albers (Summer)
Brompton
Capital House
Red Chair
The Roberta
Gina FischliThe Roberta, 2019
341 x 478 x 70cm
To be titled (Ashtray)
Can
Gina FischliCan, 2018
12 x 7cm
The Roberta
Gina FischliThe Roberta, 2019
345 x 470 x 120cm
Chapter NY
Gallery
Chapter NY
New York City

Founded in 2013 by Nicole Russo, Chapter NY is committed to supporting artists at various phases in their careers, by providing first solo shows and offering a platform for specific investigations within more established practices. By focusing on solo-presentations and working closely with each artist, Chapter NY helps realize tightly envisioned exhibitions that foster artistic exploration and growth. Russo brings over two decades of gallery experience to actualizing Chapter NY's program, drawing on her longstanding relationships to encourage ambitious presentations. The gallery started as a weekend project space before growing into a full-time operation, first representing artists including Mira Dancy, Willa Nasatir and Adam Gordon. In addition to an expanding gallery roster, Chapter NY has also provided a flexible platform for non-represented artists working across a range of media and experience, such as Keltie Ferris, Jesse Stecklow and Anicka Yi. In doing so, Chapter NY maintains its original mission to present experimental projects beyond the scope of traditional exhibitions. The program includes artists working in site-specific installation, sculpture, ceramics, video, drawing, painting, and photography. Represented artists have recently exhibited at the Whitney Museum of American Art; the Institute of Contemporary Art, Miami; the Los Angeles County Museum of Art; the Museum of Modern Art, New York, the New Museum, New York; Tate Britain; the Venice Biennale; and Atlanta Contemporary, Atlanta; among others. ...

Docent - Red Chair