Hollis Frampton

Grass-Frog, 198240.5 x 51.75cmPrice on Request

Details

Material

ektacolour photographs

Description

Human-crafted. AI-refined.

The image depicts a dried, skeletal frog against a dark background, capturing the creature's intricate bone structure and natural forms in a striking contrast. The muted earthy tones and the dramatic lighting create a sense of mystery and a haunting, almost sculptural quality to the subject. The minimalist composition and the focus on the frog's skeletal anatomy suggest an exploration of the underlying structures of life, reflecting the artist's interest in the natural world and its fragility. ...

Similar Artworks

Maria Pinińska-BereśWomen. Sketches for the Corsets, 19578000 EUR

Jacqueline De JongGAZA, 2022Price on Request

Richard PrinceUntitled, 2019675000 USD

Roger BrownFamous Artists from Chicago, 1970Price on Request

Roger BrownFalse Image Decal ("Artist"), 1969Price on Request

Jacqueline De JongEVROS KYTHIRA, 2022Price on Request

Stephen WillatsBetween Day and Night , 1982Price on Request

Richard PrinceUntitled, 199815000 USD

Fernell FrancoDe la serie: Interiores, ca. 1985, 19852000 USD

Jessie Homer FrenchTrout Couch, 1988Price on Request

Jimmie DurhamGreen and Brass, 202020007 USD

Maria Pinińska-BereśLaundry II, 1981Price on Request

Fred SandbackUntitled, 1970Price on Request

Artist

Hollis Frampton

B.1936, American

Emerging from the New York Avant-garde film community of the 1960s, experimental filmmaker Hollis Frampton was a key figure in developing structuralism, a branch of film theory that investigates and challenges film as a form. Structuralism undermines film’s traditional narratives, instead using the consecutive juxtaposition of shots to form and shape meaning, a technique that Frampton believed is the essence of filmmaking. As well as being intrigued by philosophy and literature and how they shaped the medium of film, Frampton had an interest in computer science – an emerging field in the 1970s to which he significantly contributed – and this bled into his work: Frampton’s films borrowed and were structured around concepts from mathematics and science. ...