Hollis Frampton

Lotus, 198240.5 x 51.75cmPrice on Request

Details

Material

ektacolour photographs

Description

Human-crafted. AI-refined.

This striking black and white photograph features three distinct fossil specimens against a dark background. The visual elements highlight the intricate, organic forms and textures of the prehistoric remains. The subject matter depicts the fossilized skeletal structures, resembling the cranium and jawbones of an unknown ancient creature. The artistic style and technique create a stark, minimalist composition that emphasizes the natural patterns and shapes of the fossils. This photograph likely aims to offer a scientific exploration of these prehistoric artifacts and their historical context. ...

Similar Artworks

Fernell FrancoDe la serie: Interiores, ca. 1985, 19852000 USD

Maria Pinińska-BereśPassage Beyond the Quilt, 19796000 EUR

Jacqueline De JongAvdiivka, 2023Price on Request

Richard PrinceUntitled, 2019675000 USD

Roger BrownThe Four Seasons - A Benefit Painting of the Hyde Park Art Center, 1974Price on Request

Jessie Homer FrenchMorning Hatch, 1990Price on Request

Stephen WillatsFrom Moment To Moment, 2006Price on Request

Jessie Homer FrenchMemorial, 2019Price on Request

Fernell FrancoDe la serie: Interiores, ca. 1985, 198816800 USD

Jacqueline De JongDISASTERS, 2023Price on Request

Jimmie DurhamGreen and Brass, 202020007 USD

Maria Pinińska-BereśLaundry II, 1981Price on Request

Fred SandbackUntitled, 1970Price on Request

Richard PrinceUntitled, 199815000 USD

Roger BrownUntitled, 1968Price on Request

Artist

Hollis Frampton

B.1936, American

Emerging from the New York Avant-garde film community of the 1960s, experimental filmmaker Hollis Frampton was a key figure in developing structuralism, a branch of film theory that investigates and challenges film as a form. Structuralism undermines film’s traditional narratives, instead using the consecutive juxtaposition of shots to form and shape meaning, a technique that Frampton believed is the essence of filmmaking. As well as being intrigued by philosophy and literature and how they shaped the medium of film, Frampton had an interest in computer science – an emerging field in the 1970s to which he significantly contributed – and this bled into his work: Frampton’s films borrowed and were structured around concepts from mathematics and science. ...